Works
Jannis Psychopedis
(b. 1945, Athens)
Seminar (1979)
Mixed media on paper
96.7 × 46.4 cm
National Museum of Contemporary Art, Athens (EMST)
Seminar (1980)
Mixed media on paper
64.4 × 88.9 cm
National Museum of Contemporary Art, Athens (EMST), purchased with funding from the Ministry of Economy and Finance of Greece in 2002
Three works:
Seminar (1980)
Mixed media on paper
63.3 × 89.4 cm, 64.2 × 89.2 cm, and 82.2 × 52.1 cm
National Museum of Contemporary Art, Athens (EMST), donated by the artist in 2004
The Undelivered Letter (1982)
Paper, colored photograph, graphite, and gelatin on wood with acrylic sheet
40.2 × 48.2 cm
National Museum of Contemporary Art, Athens (EMST), purchased with funding from the Ministry of Economy and Finance of Greece in 2002
The Undelivered Letter (1982)
Mixed media on paper
40.1 × 52 cm
National Museum of Contemporary Art, Athens (EMST), purchased with funding from the Ministry of Economy and Finance of Greece in 2002
All works Fridericianum, Kassel
Seminars is a series of works produced by Jannis Psychopedis in the years 1979 and 1980, reflecting the tendency of critical realism that was developed in Greece in the 1970s as a counter-paradigm of the dogma of “Greekness” (hellenekotita) in art. The series was created as a body of works distinct from the series The Undelivered Letter begun by the artist in 1977 as a form of visual diary during his stay in Berlin. By drawing from a personal archive of disparate images and experiences, and by copying extracts from Karl Marx’s Das Kapital, the artist attempts a critical juxtaposition of opposing aspects which delineate a fragmented visual reality. If, for Psychopedis, the series The Undelivered Letter represents a “non-functional” correspondence, then the Seminars constitute a “non-functional” history lesson on collective imagination, illusions, contradictions, conflicts, and violently ruptured socio-political transformation.