documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
A documenta 14 film program with Alberto Grifi, Isuma Productions, Sarah Maldoror, Alanis Obomsawin, Nagisa Oshima, Mohamed Soueid June 22–September 15, Grosses BALi 8:30 pm, unless noted otherwise…
Andreas Angelidakis tries to make sense of where we are and how we got here. His work emerges from the experience of being in place: in Greece, in climate change, in architecture, in psychoanalysis, in…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster
The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…
Under the shade of pine and cypress trees in the First Cemetery of Athens, opened in 1837, are buried some of the most prominent Greek politicians, writers, and artists. Its varied collection of mausoleums…
The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…
For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…