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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Iver Jåks (1932–2007)

When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…

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Notes

Hans Haacke

The experience of working as an exhibition guard and art handler at documenta 2 in 1959 was fundamental to Hans Haacke’s understanding of the operative rules of the field of art. Overhearing curators’…

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Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta 

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

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South Issue #9 [documenta 14 #4]

The Fabric of Capitalism

with Click Ngwere and Denise Ferreira da Silva

The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Kotzia Square

The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…

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Venues

documenta Halle

Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #37: Lmuja (The Wave)

by Omar Belkacemi

Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…

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Public TV

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…

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South Issue #7 [documenta 14 #2]

Were the anxieties around immigration and globalization any different in antiquity?

with Dr. Naman P. Ahuja and Natasha Ginwala

There are fears that globalization is making different cultural identities homogeneous, yet it often enables a cosmopolitanism that enables different local practices to coexist although some differences…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Two Poems

by Katerina Anghelaki-Rooke
South Issue #6 [documenta 14 #1]