documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
This script is not a eulogy. Actually you can't write a eulogy about someone you loved dearly, but didn't really know. This script is for, on, of, about, and with Ben Patterson and the vacuum he leaves…
We are singular beings, but never identical to ourselves, I thought when Hiwa K asked me to play the piano part of Nick Cave’s “Stagger Lee” for his performance The Barkeeper Is Not Dead . . . Yet…
Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…
Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward…
Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…
Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…
Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…
Between 1958 and 1965, the Dutch artist and composer Sedje Hémon kept a chronologically ordered (but not dated) record of 600 numbered notes tracing the development of her method of integrating visual…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
