documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Agim Çavdarbasha’s sculptural work is part of the foundations of modern art in Kosovo. He studied at Yugolslav art academies (in Belgrade 1964–69 and Ljubljana 1970–71) within liberal circumstances…
What are the commonalities between two 1980s commercials, one in which a blonde couple are vigorously playing something between racquetball and softball on a beach near Athens to the Dead Κennedys song…
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
with Giorgos Maniatis, Servanne Jollivet, Pavlos Hatzopoulos, Anna Papaeti, and Nelli Kampouri
The session of talks and debates surrounding the political history of the Mediterranean takes place on a boat sailing along the coast of Athens and the Piraeus Port. There is no better place than a boat…
The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…
Constructed in the late eighteenth century as a way to expand Kassel from the old medieval town toward the flourishing Huguenot settlement nearby, Friedrichsplatz has often been employed as an arena for…
Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
with Karen Finley, Adonis Volanakis, Chrysanne Stathacos, and Sozita Goudouna
“Oracle drawings” is a project initiated and curated by Sozita Goudouna and Paul B. Preciado. It consists of a collaborative staging of a public participatory installation by Karen Finley and Adonis…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…