documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Listening Space is a program of events that attempts to explore and understand sound outside established hierarchies of music production and performance. In the project’s diverse concerts, lectures…
I was watching your new film on my laptop just now, about Chantal Akerman (about your son) [00:25], when something you said in your opening voice-over caught me: “I call this type of filming…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
with Natasha Ginwala, Kyrillos Sarris, and Cecilia Vicuña
Guests open up current forms and strategies of artistic self-determination beyond, behind, or within institutions. The program brings together fans and scholars alike across space and time, for discussions…
Founded in Delphi by Theodoros Terzopoulos in 1985, the Attis Theatre is dedicated to performing the work of ancient Greek tragedy. The theater collaborates with international festivals and theaters to…
In 1967, exactly half a century ago, intellectual and artist Oscar Masotta (born in 1930 in Buenos Aires, died in 1979 in Barcelona) edited the book Happenings. The publication assembles several articles…
One of the main traffic corridors in Kassel, Kurt-Schumacher-Strasse also designates a border. Geographically, it traces the line between Mitte at the center and Nordstadt in the north of the city; as…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…
