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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Departing for Drawing a Line through Landscape

by Nikhil Chopra

Nikhil Chopra departing for part 2 of Drawing a Line Through Landscape, Athens, May 13, 2017, photo: Angelos Giotopoulous…

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Notes

K. G. Subramanyan

Measuring 2.7 by 10.9 meters, The War of the Relics (2013)—K. G. Subramanyan’s final mural before his death in June 2016—is a rare and ambitious feat of the human spirit. Painted by an eighty-eight-year-old…

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Artists

“There is one myth in which women do not disappear ...”

by Kim Hyesoon

To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…

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South Issue #9 [documenta 14 #4]

Working Group Distomo

with Argyris N. Sfountouris and Margarita Tsomou

In Greece, June 10 is the most significant day of remembrance for victims of the Nazi regime. On this day in 1944, an SS massacre took place in the village of Distomo: The entire village was burned to…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Epigraphic Museum

This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…

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Venues

Erna Rosenstein

Erna Rosenstein (1913–2004) spent her youth in Krakow and Vienna. In the mid-1930s, she became involved with the avant-garde Krakow Group. She survived the Holocaust and, following the war, joined the…

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Historical Positions

documenta Halle

Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #26: Leviathan

by Véréna Paravel and Lucien Castaing-Taylor

Lucien Castaing-Taylor and Véréna Paravel’s Leviathan revolutionizes cinema’s documentary tradition. The film turns the cinematic gaze into an immersive experience that offers a hallucinatory, unsettling, and crude depiction of modern industrial fishery…

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Public TV

Mask Silence, Silence Masks, or A Condition of Utmost Listening

by Stathis Gourgouris

Silence 1

The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-­between…

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South Issue #7 [documenta 14 #2]

Word-of-Mouth: On the Early Reception of Ulises Carrión

with Magalí Arriola

Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

 

i would not be

i would not be had i not not i i too but not even at all if. 
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

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South Issue #6 [documenta 14 #1]