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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

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News

Iver Jåks (1932–2007)

When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…

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Notes

Panos Charalambous

“Where do voices go when we no longer hear them?” For more than a century they would go on gramophone records, 45 rpm singles, and 12-inch vinyl LPs, but also on some very special, handmade 78 rpm…

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Artists

We Are Somatic Creatures: Hila Peleg in Conversation with Rosalind Nashashibi, Véréna Paravel and Lucien Castaing-Taylor, and Ben Russell

Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…

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South Issue #9 [documenta 14 #4]

The Gesture of Hospitality

with Nathan Pohio, Hendrik Folkerts, and Candice Hopkins

Nathan Pohio comments on rituals of hospitality within Māori culture and the political implications of being a host and being a guest.

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Coastline

Cecilia Vicuña completes the Athenian chapter of her documenta 14 project by way of a ritual offering to the sea gods of ancient Hellenic lore. The sacrifice in question consists of Vicuña presenting…

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Venues

August Spies

August Spies was born near Bad Hersfeld in central Hessen in 1855 and trained at the Polytechnikum in Kassel. Orphaned at age 17, he emigrated to the US, finally settling in Chicago in 1873, where he became…

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Historical Positions

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

A Mighty Forest

by Dieter Roelstraete

It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…

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South Issue #8 [documenta 14 #3]

Keimena #11: Loubia Hamra (Bloody Beans)

by Narimane Mari

Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…

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Public TV

When the Dead Silently Speak Out

by Subcomandante Marcos

(Rewind 1)

(A text which reflects on those who are absent and on biographies, narrates Durito’s first encounter with the Cat-Dog, and talks about other things that may or may not be relevant, as the impertinent…

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South Issue #7 [documenta 14 #2]

#29 Trans*: Bodies and Power in the Age of Transgenderism

by Jack Halberstam

Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education