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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Beau Dick (1955–2017)

by Candice Hopkins

Beau Dick was given the name “Walis Gwy Um,” which means “big, great whale” in the Kwak’wala language. His carvings tap into the supernatural, as though everything he made is invested with spirit…

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Notes

Constantinos Hadzinikolaou

Born in Athens in 1974, Constantinos Hadzinikolaou presents an unusual case. As an artist, he inhabits the intermediate space between cinema and literature; or rather, he inhabits both spaces simultaneously…

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Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet. 

On the day when this small window was broken, my father lifted…

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South Issue #9 [documenta 14 #4]

The Fabric of Capitalism

with Click Ngwere and Denise Ferreira da Silva

The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Isadora & Raymond Duncan Dance Research Center

In 1903 Isadora Duncan and her family arrived in Athens, where they resolved to remain and establish a place for dance to be experienced in a fluid relationship with everyday living. Designed according…

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Venues

Oscar Masotta

In 1967, exactly half a century ago, intellectual and artist Oscar Masotta (born in 1930 in Buenos Aires, died in 1979 in Barcelona) edited the book Happenings. The publication assembles several articles…

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Historical Positions

Westpavillon (Orangerie)

The Orangerie was built by Karl I, Landgrave of Hesse-Kassel, at the beginning of the eighteenth century. It served him as both a summer house and a winter habitat for potted trees such as citrus and palms…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #35: Louomenoi (Bathers)

by Eva Stefani

The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…

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Public TV

Native Foreigners

with Natasha Ginwala, Kyrillos Sarris, and Cecilia Vicuña

Guests open up current forms and strategies of artistic self-determination beyond, behind, or within institutions. The program brings together fans and scholars alike across space and time, for discussions…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]