documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The former plantation of Álava in the Matanzas province of Cuba evokes sound before one hears it. In January 2017, we went there to record local musicians and were told to meet them near the bell tower…
Douglas Gordon’s I had nowhere to go (2016) is a ninety-seven minute film/projected image installation, in which experimental filmmaker Jonas Mekas is heard via voice-over reading passages from his 1991…
What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…
U'mista, in the Kwak'wala language, means the return of something or someone thought to be lost or taken. In Alert Bay and Cape Mudge, First Nations communities along the northwest coast of Canada repatriated…
The Athens Municipality Arts Center at Parko Eleftherias (Freedom Park) and the Museum of Anti-dictatorial and Democratic Resistance belong to a nineteenth-century complex of military quarters. Indeed…
Throughout the 1930s, Irish-born mid-century literary icon Samuel Beckett was a frequent visitor to Germany, spending time in Berlin, Dresden, Hamburg, and Kassel, home of his first true love interest…
Tofufabrik was founded toward the end of the 1990s by György Debreceni and Heike Hellerung, pioneers of the “bio tofu scene” in Hessen. What started as a small, local supplier of organic bean curd…
“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
with Natasha Ginwala, Kyrillos Sarris, and Cecilia Vicuña
Guests open up current forms and strategies of artistic self-determination beyond, behind, or within institutions. The program brings together fans and scholars alike across space and time, for discussions…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
