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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Honeymoon in Chaospolis & (Not very) proper names

by Mustapha Benfodil

To Paris!
To all the victims
of liberticidal barbarity…

Honeymoon in Chaospolis

We met each other in Tunis
We loved each other in Gaza
We missed each other in Beirut
We kissed in Paris
We got married in Algiers
We…

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Notes

Apostolos Georgiou

“. . . It’s been a while since I left blue behind. Trapped inside ocher, maroon, brown, and mint green. I live in a palette of dark colors and among common objects. I follow my course through the vacant…

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Artists

Signals from Another World: Proletarian Theater as a Site for Education
Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis

What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…

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South Issue #9 [documenta 14 #4]

#5 Freedom as Market Value. Freedom as Practice of Resistance

by Judith Revel

What does it mean to be free when the market exceedingly places the demand on individuals to be free, creative, autonomous, and striving? What is the difference between what Foucault, since the end of…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Archaeological Museum of Piraeus

This significant museum features a complete depiction of an ancient Athens naval dockyard. Some of the pieces are extremely rare, in particular the famous bronze statues and a theatrical “tragedy mask”—all…

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Venues

Cornelius Cardew

Treatise is a graphic score, com­posed without reference to any system of rules governing the inter­pretation. It was begun in 1963 and is still incomplete; the hundred pages that are ready at present…

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Historical Positions

documenta Halle

Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…

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Venues

Keimena #33: Pays Barbare (Barbaric Land)

by Yervant Gianikian and Angela Ricci Lucchi

In Barbaric Land, Angela Ricci Lucchi and Yervant Gianikian ask, ‘What is fascism?’ How is it born, how is it rooted, and what unites its different strains? Composed of archival documentary material, their film descends into the darkest period of Italian history…

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Public TV

Fair Trade Heads: A Conversation on Repatriation and Indigenous Peoples with Maria Thereza Alves, Candice Hopkins, and Jolene Rickard

The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…

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South Issue #7 [documenta 14 #2]

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education