documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
A documenta 14 film program with Alberto Grifi, Isuma Productions, Sarah Maldoror, Alanis Obomsawin, Nagisa Oshima, Mohamed Soueid June 22–September 15, Grosses BALi 8:30 pm, unless noted otherwise…
The work of Annie Sprinkle and Beth Stephens reflects two lines of force within radical feminist art. While Stephens (born in 1960 in Montgomery, West Virginia) was intervening in the gallery space and…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
Linnea Dick is the daughter of Pamela Bevan and Beau Dick. She carries the Kawakwaka’wakw name Malidi, meaning “to always find a purpose and path in life.” She is of Kawakwaka’wakw, Nisga’a…
Inaugurated in 1991, Megaron was the outcome of the long efforts of an association of eminent social figures, musicians, and music lovers. The hall was built and has since operated on corporate, private…
“Since beginning to know his work a bit better, I’ve come to think that this tall, curiously blond boy perceived us by way of clues—clues capable of entering savant equations, according to linguistic…
Housing the Museumlandschaft Hessen-Kassel’s collection of nineteenth, twentieth, and twenty-first century art, the Neue Galerie has been an important venue in a number of previous editions of documenta…
The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…
How two people come apart can be as compelling to watch as what brings them together. In Clarie Denis’ film Voilà l’enchaînement, the fissures in a relationship between a black man (Alex Descas) and a white woman (Norah Krief) are apparent from the first scene. Longing for more closeness, and caressing his shoulder, she asks him to tattoo her name on his body. He gently refuses: “for you it means eternity, for me it means branded.” Does the friction of this early exchange—still light enough to be softened with an embrace, but opening a crack of enmity—set in motion what comes next…
The first issue of South as a State of Mind in its new, temporary role as the magazine of documenta 14 arrives more than a year and a half before the exhibition is scheduled to open, in Athens in April…
