documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

The Syrian who wanted the Revolution

by Abounaddara

The Syrian who wanted the revolution is not in opposition. S/he does not belong to the system of opposition, the product of a power struggle in Assad’s Syria. S/he did not go out onto the streets to…

Notes

David Lamelas

I recently stumbled into the pioneering Argentinian conceptual artist David Lamelas on his way to a rendezvous with a friend. He was running late, but the exchange was typically intense. I’d been rereading…

Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

South Issue #9 [documenta 14 #4]

Indigenous Knowledge 2: Fleeing and Occupying

with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster

The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…

Calendar

Interview with Rick Lowe

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

EMST—National Museum of Contemporary Art

The EMST–National Museum of Contemporary Art, which has collected Greek and international art from the postwar period to the present since 2000, initially presenting a program in various temporary venues…

Venues

Yves Laloy

Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward…

Historical Positions

Public Radio

Palais Bellevue

One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…

Venues

Envoy: Angel of Post-History

by Ross Birrell

South Issue #8 [documenta 14 #3]

Keimena #8: Ku Qian (Bitter Money)

by Wang Bing

“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…

Public TV

Bibliocaust

by Mustapha Benfodil

I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…

South Issue #7 [documenta 14 #2]

The Parliament of Bodies: The Strategy of Joy

with Ross Birrell, Nita Deda, Hendrik Folkerts, Dimitris Ginosatis, Natasha Ginwala, Guillermo Gómez-Peña and Balitronica Gómez, Jack Halberstam, Trajal Harrell, Candice Hopkins, iQhiya, Élisabeth Lebovici, Catherine Malabou, Joar Nango, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Ibrahim Quraishi, Roee Rosen, Dim Sampaio, and Adam Szymczyk

A paradox lies at the heart of contemporary democratic societies concerning the center of the politics of representations of their parliaments: They have gradually turned into ensembles joined by fear…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

i would not be

i would not be had i not not i i too but not even at all if.
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

South Issue #6 [documenta 14 #1]