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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14: Greece: a (non-) European Country
by Yannis Almpanis

During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…

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Notes

Miriam Cahn

Niggling questions

Is Miriam Cahn, born in Basel in 1949, a realist artist? What can be seen in her drawings, performances, films, and paintings—and what cannot? Where does the difference lie between…

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Artists

Treaty and Protest: John Miller’s Photographs by Cassandra Barnett and Jon Bywater, with an introduction by Marina Fokidis

I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…

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South Issue #9 [documenta 14 #4]

#19 Attempt. Come.

by Georgia Sagri

Attempt.
Come.
Undefined.
Be the point of no-reference.
Constant,
and as a state of formation.
Play.
Continue to play with the beat.
Vibrate with me, so chaos can enter.
It is an invitation.
Come.
As water.
As the…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Museum of Islamic Art, Benaki Museum

From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…

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Venues

Mikhail Matyushin

These fragments of a score for voice and piano are all that survived of the music composed by Mikhail Matyushin for the first futurist opera. The score favors chromatic harmonies in the piano part and…

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Historical Positions

Fridericianum

The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #1: From Gulf to Gulf to Gulf

by CAMP

CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…

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Public TV

#29 Trans*: Bodies and Power in the Age of Transgenderism

by Jack Halberstam

Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

I Had Nowhere to Go

by Jonas Mekas

When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…

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South Issue #6 [documenta 14 #1]