documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…
When I stepped into Ariuntugs Tserenpil’s studio, I thought that I had entered a little workshop or laboratory. There were a number of wooden tables and stacked pallets full of tool kits, wires, and…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
This museum is housed in a former private home designed by Ernst Ziller for German archaeologist Heinrich Schliemann. Its interior—once the height of opulence—reflects the influence of archaeological…
“As for me, I produce awkward objects. This absurd and convulsive mania proves the existence of an unknown, secret gland, necessary for life. Yes, this mania can be reduced to a single gesture, within…
Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…
Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…
