documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…
Beatriz González began her artistic practice in the early sixties in Bogotá, where she studied architecture and painting, as well as art history with the critic Marta Traba. In her pictorial investigations…
Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…
One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Passing Drama by Angela Melitopoulos revolves around the great population displacement that followed the breakdown of the Ottoman Empire. The title plays with the double meaning of the word “Drama.” Implying tragedy and turmoil, Drama is also the name of the town where Melitopoulos’s grandparents settled after the Lausanne convention in 1923…
The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…
with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides
As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
