documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Abdurrahim Buza is one of the most respected Albanian painters whose career spanned the years before and after WWII. Buza was born in 1905 in Skopje (today Macedonia) in a family originally from Gjakova…
Is Miriam Cahn, born in Basel in 1949, a realist artist? What can be seen in her drawings, performances, films, and paintings—and what cannot? Where does the difference lie between…
The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…
by Angela Brouskou – Theatro Domatiou and MiniMaximum ImproVision
Epitafios II is a collaboration between professional actors, musicians, students, performers, and the audience. A blanket of human bodies and objects covers the floor of the former headquarters of the…
The Athens Municipality Arts Center at Parko Eleftherias (Freedom Park) and the Museum of Anti-dictatorial and Democratic Resistance belong to a nineteenth-century complex of military quarters. Indeed…
This drawing was made by the French realist master Gustave Courbet as a preparatory sketch for a major painting titled Alms from a Beggar at Ornans (1868), now housed in the Burrell Collection in Glasgow…
After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…
“Sometimes I think I should give up, but life is for living,” says a blind boy in Miroslav Janek’s The Unseen. This award-winning documentary takes place in a school for blind children in Prague. For too long the disabled were hidden from the public eye, they were unseen. Janek’s film rectifies this by allowing the children to tell their own stories…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
