documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Studio 14 is a research and a workplace driven by a multiplicity of different subjects; capable of giving rise to certain configurations; a process involving the fields of art, education, and politics; and oriented towards the forms of knowledge that circulate and are produced in those fields…
Rick Lowe first came to Athens from Houston in late June 2015 via a philanthropic conference in Vouliagmeni, a seaside town twenty kilometers from the city center. Determined to get to know the Greek capital…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts
Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…
The industrial district of Moschato is characterized by workshops, tavernas, wholesale shops, and low-income housing blocks, while also hosting the Athens School of Fine Arts Pireos Street campus. Blocks…
The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
