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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14

Studio 14 is a research and a workplace driven by a multiplicity of different subjects; capable of giving rise to certain configurations; a process involving the fields of art, education, and politics; and oriented towards the forms of knowledge that circulate and are produced in those fields…

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Notes

Cecilia Vicuña

Although better known as a poet in her adoptive North American home (she has lived in New York since the 1980s), Cecilia Vicuña has stayed true to her youthful calling as a genre-bending visual artist…

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Artists

Memory, Image: On Rosa Luxemburg’s Prison Letters and Gender Violence

by Sean O’Toole

Among the things I inherited from grandmother when she died were her handwritten recipes and a hardcover edition of Roberts’ Birds of Southern Africa, an illustrated guidebook to the region’s winged…

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South Issue #9 [documenta 14 #4]

VOICE-O-GRAPH

by Panos Charalambous with Vassilis Charalambidis, Angelos Krallis, Panayotis Panopoulos

VOICE–O–GRAPH is a vinyl work of discovery, preservation, reuse and manipulation. A happening that manifests itself with objects of immediate urgency. Coming from either forgotten, censored, or disintegrated…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Epigraphic Museum

This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…

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Venues

Palais Bellevue

One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #40: An Opera of the World

by Manthia Diawara

In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…

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Public TV

When the Dead Silently Speak Out

by Subcomandante Marcos

(Rewind 1)

(A text which reflects on those who are absent and on biographies, narrates Durito’s first encounter with the Cat-Dog, and talks about other things that may or may not be relevant, as the impertinent…

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South Issue #7 [documenta 14 #2]

A Century of Camps: Refugee Knowledge and Forms of Sovereignty Beyond the Nation-State

With: Isshaq Al-Barbary, Mohammed Allahham, Niklas Goldbach, Sandi Hilal, Elias Khoury, Alessandro Petti, Lorenzo Pezzani, Rasha Salti, Jad Tabet, and Eyal Weizman

Curated by Rasha Salti and Paul B. Preciado…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]