documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
As the days pass by And you gain in years The past does not keep you captive. —K. G. Subramanyan, from “A Near Vision” (Poems: Rhymes of Recall, Seagull Books, 2014)
Every time I visit Geta Brătescu’s studio, I make the same journey. I board the train in Ploiești, the city where she was born in 1926, and alight in Bucharest, the city where she now lives and where…
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
On August 17, 1944, Nazi troops executed seventy-five members of the Greek Resistance at the old factory of the British Oriental Carpet company in the neighborhood of Kokkinia (known also as Nikaia). Hundreds…
Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…
UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…
The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…
with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis
Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
