documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The work of Annie Sprinkle and Beth Stephens reflects two lines of force within radical feminist art. While Stephens (born in 1960 in Montgomery, West Virginia) was intervening in the gallery space and…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…
The Municipal Theater of Piraeus is an exemplar of nineteenth-century Greek public architecture. Built from plans by Ioannis Lazarimos, the neoclassical building has been a meeting point for the city’s…
The Gurlitt family saga—one thread among many running throughout this venue—begins with Louis Gurlitt, a prolific landscape painter born in Hamburg in 1812, whose mastery of the genre contributed to…
At the center of the public exhibition in Kassel is the press and information center, located on the ground and first floor of the former leather store Leder Meid. The wallpaper works by Beatriz González…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…
with Naeem Mohaiemen, Vijay Prashad, Zonayed Saki, and Samia Zennadi
This four-evening seminar started from the desire to unpack some of the forgotten languages, broken dreams, and uncanny hopes that appear in Naeem Mohaiemen’s film for documenta 14 Kassel, Two Meetings…
It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…
