documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
A hideous crime was carried out in the name of God on the 13th of November in Paris. The presumed killers are French or Belgian citizens who do not identify with their national communities or with common…
Douglas Gordon’s I had nowhere to go (2016) is a ninety-seven minute film/projected image installation, in which experimental filmmaker Jonas Mekas is heard via voice-over reading passages from his 1991…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
The Society for the End of Necropolitics invites you to a lecture in three parts by contemporary theorist Franco “Bifo” Berardi on the recent rise of nationalism and fascism in Europe and the possibility (or impossibility) of political resistance in the age of financial capitalism…
Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…
Of the many guises donned by the devil in his ultimately fruitless attempts to lead Saint Anthony the Abbot into temptation, the mound of gold is perhaps the most abstract, iconographically speaking—but…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
This performance is inspired by all those people who at some point, in some place, in some way reacted to what was putting them down by posing thousands of questions. By all those who, if only for a brief…
