documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
A photograph, hazy in the way old photos can be, reveals a young woman in traditional Kurdish costume, a clunky metal headdress atop her head. She doesn’t smile. In another, shoulder pads conspicuous…
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…
The central square at the port of Piraeus takes its name from one of the most famous leaders in the Greek War of Independence, General Georgios Karaiskakis. The square became well-known in 1922 when many…
Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
with Naeem Mohaiemen, Vijay Prashad, Zonayed Saki, and Samia Zennadi
This four-evening seminar started from the desire to unpack some of the forgotten languages, broken dreams, and uncanny hopes that appear in Naeem Mohaiemen’s film for documenta 14 Kassel, Two Meetings…
