documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Something is rotten in the state of the media. Rotten to the point that today a man accused of war crimes can summon mainstream media to announce that reality has debunked their narrative, delighting in…
An earth dome of Gernot Minke’s making, dating back to the architect’s time at the University of Kassel in the early nineties and still standing outside the art academy today, conjures retro-futurist…
Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…
with Naeem Mohaiemen, Vijay Prashad, Zonayed Saki, and Samia Zennadi
This four-evening seminar started from the desire to unpack some of the forgotten languages, broken dreams, and uncanny hopes that appear in Naeem Mohaiemen’s film for documenta 14 Kassel, Two Meetings…
The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…
As a founding member of the 43 Group, Ivan Peries (1921–88) was part of an avant-garde circle of artists in Sri Lanka, which also included Lionel Wendt, George Keyt, Harry Pieres, and L. T. P. Manjusri…
Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo
In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
