documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…
Maria Eichhorn is waiting for me at her studio door. Inside, a spacious, austere, meticulously tidy loft welcomes, with elements of Japanese design softening the cold industrial architecture. We exchange…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
In close proximity to the Mentis Center for the preservation of traditional textile techniques at Polyfimou 6, Aboubakar Fofana has taken occupancy of a former microbrewery, installing indigo vats as part…
Born in Haiti, André Pierre (1916–2005) lived in Croix-des-Missions at the outer edge of Port-au-Prince and developed his oeuvre as a self-trained artist and respected Vodou priest while also involved…
Tofufabrik was founded toward the end of the 1990s by György Debreceni and Heike Hellerung, pioneers of the “bio tofu scene” in Hessen. What started as a small, local supplier of organic bean curd…
For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…
UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…
Stathis Gourgouris is professor at the Institute for Comparative Literature and Society at Columbia University, New York. He is the author of Synaesthetics of the Polity (forthcoming, 2018); The Perils…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
