documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
On 25 October 2015, Polish parliamentary elections were won decisively by the Law and Justice (PiS) party. A few months earlier, in May of last year, the party’s candidate Andrzej Duda won the presidential…
Roee Rosen—painter, novelist, and filmmaker—is an astute critical voice in Israel. While his work deals primarily with the representation of desire and structural violence, Rosen, born in 1963, has…
I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…
In 1967, exactly half a century ago, intellectual and artist Oscar Masotta (born in 1930 in Buenos Aires, died in 1979 in Barcelona) edited the book Happenings. The publication assembles several articles…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
