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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

A Confession of Love

by Artur Żmijewski

On 25 October 2015, Polish parliamentary elections were won decisively by the Law and Justice (PiS) party. A few months earlier, in May of last year, the party’s candidate Andrzej Duda won the presidential…

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Notes

Sammy Baloji

CONGOLESE MASS

For Sammy Baloji, born in 1978 in the Democratic Republic of Congo, now lives and works in Brussels

bodies torn from their dreams
bodies perfectly subjugated
bodies bled white
bodies deprived…

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Artists

Voyage of the Sable Venus

by Robin Coste Lewis

Prologue:

What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…

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South Issue #9 [documenta 14 #4]

In Between
Image and Movement

with Alexandra Bachzetsis and Lenio Kaklea

Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Gennadius Library

In 1922, diplomat and bibliophile Joannes Gennadius offered his 26,000-volume library to the American School of Classical Studies at Athens, on the conditions that the holdings be housed as a separate…

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Venues

Yves Laloy

Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward…

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Historical Positions

Gottschalk-Halle (University of Kassel)

Many threads of Kassel’s history are woven together in this abandoned warehouse. Built in the 1950s on a location belonging to two of the city’s most prominent industrial dynasties, Henschel company…

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Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

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South Issue #8 [documenta 14 #3]

Keimena #12: Krisis

by Dimitri Venkov

Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day that “Leninopad,” the widespread demolition of monuments to Vladimir Lenin, kicked off in Ukraine. The first monument to be dismantled in Kyiv was made by Soviet sculptor Sergei Merkurov and was erected in 1946, while Stalin was still in power. The Ukrainian ultra-nationalist party Svoboda (Freedom) claimed responsibility…

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Public TV

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]