documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
On 25 October 2015, Polish parliamentary elections were won decisively by the Law and Justice (PiS) party. A few months earlier, in May of last year, the party’s candidate Andrzej Duda won the presidential…
Douglas Gordon’s I had nowhere to go (2016) is a ninety-seven minute film/projected image installation, in which experimental filmmaker Jonas Mekas is heard via voice-over reading passages from his 1991…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…
Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…
Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…
Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…
We are not risking the production of an artwork; we are risking the production of expectation. Five theses about what we're experiencing at the moment, five theses about what to do, and three propagandist…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
