documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Katalin Ladik’s art is founded on movement. Everything is set in motion, in constant flux and transformation; there is no imitation, representation, narrative. Even the direction of movement is not defined…
What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…
with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou
By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…
The Benaki Museum was founded in 1930 by the collector Antonis Benakis. Born into an important family of the Greek diaspora, Benakis’s father, Emmanouil Benakis, was a Greek merchant and politician who…
One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Abenaki director Alanis Obomsawin’s film Kanehsatake: 270 Years of Resistance focuses on a small Kanien'kéha:ka (Mohawk) community, unheard of by many Canadians until a protest began on March 10, 1990…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
There are fears that globalization is making different cultural identities homogeneous, yet it often enables a cosmopolitanism that enables different local practices to coexist although some differences…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
