documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Something is rotten in the state of the media. Rotten to the point that today a man accused of war crimes can summon mainstream media to announce that reality has debunked their narrative, delighting in…
On one side of the stage, a performer ignites a small flame, which stands out against the darkness; on the other side, another performer appears and vocalizes a sustained tone that rises and resounds throughout…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…
The industrial district of Moschato is characterized by workshops, tavernas, wholesale shops, and low-income housing blocks, while also hosting the Athens School of Fine Arts Pireos Street campus. Blocks…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
