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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

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News

Meanwhile, Aboubakar Fofana contributes a text-ile to The documenta 14 Reader

by Monika Szewczyk

It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…

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Notes

Pope.L

2016 was a year of wild speculations, burning insults, half-lies, and post-truth (Oxford Dictionaries’ Word of the Year). But even before the UK referendum, with its demonized immigrant laborers, or…

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Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta 

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

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South Issue #9 [documenta 14 #4]

Indigenous Knowledge 1: On Violent Waters. A Discussion on Borders and Migration

with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo

In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Polytechnion, National Technical University of Athens (NTUA) and Athens School of Fine Arts (ASFA), Prevelakis Hall

Athens Polytechnic is among the oldest higher-education institutions of Greece. It is also a central symbolic and historical locus of contemporary Greek resistance. On November 14, 15, and 16, in 1973…

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Venues

Giesshaus (University of Kassel)

The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #2: Sleepless Nights Stories

by Jonas Mekas

Sleepless Nights Stories originated from my reading of the One Thousand and One Nights. While my stories, unlike the Arabian tales, are all from the real life, they too, at some points wander into somewhere else, beyond the everyday routine reality…

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Public TV

Bibliocaust

by Mustapha Benfodil

I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…

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South Issue #7 [documenta 14 #2]

#14 Ojo de gusano: Don’t Look Down

by Regina José Galindo

Cayeron en Guatemala
Cayeron en Honduras
Cayeron en Nicaragua
Cayeron en El Salvador
Cayeron en Panamá
Cayeron en Venezuela
Cayeron en Perú
Cayeron en Colombia
Cayeron en Uruguay
Cayeron en Paraguay
Cayeron en…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

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South Issue #6 [documenta 14 #1]