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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

An Ideal, or We Will All Die

by Abounaddara

A hideous crime was carried out in the name of God on the 13th of November in Paris. The presumed killers are French or Belgian citizens who do not identify with their national communities or with common…

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Notes

Terre Thaemlitz

“But you know Terre, you have a problem with everything.” This comment came during the rather awkwardly titled “Charming for the Revolution: A Congress for Gender Talents and Wildness,” at Tate…

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Artists

Signals from Another World: Proletarian Theater as a Site for Education
Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis

What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…

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South Issue #9 [documenta 14 #4]

What is a Circular Economy and How Can We Make It Possible?

with Erik Van Buuren and Otobong Nkanga

The hunt and greed for resources has shaped economic and societal models over the ages. A growing world population is affecting the way resources are being depleted, causing major societal disruption on…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Archaeological Museum of Piraeus

This significant museum features a complete depiction of an ancient Athens naval dockyard. Some of the pieces are extremely rare, in particular the famous bronze statues and a theatrical “tragedy mask”—all…

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Venues

Johann Joachim Winckelmann

Johann Joachim Winckelmann’s scholarship, in particular his book Geschichte der Kunst des Alterthums (History of Ancient Art, first published in 1764), was foundational for both art history as an academic…

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Historical Positions

Former Underground Train Station (KulturBahnhof)

documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…

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Venues

Keimena #16: Angriff auf die Demokratie – Eine Intervention (Democracy Under AttackAn Intervention)

by Romuald Karmakar

In December 2011, ten German intellectuals met in Berlin to discuss the current political crisis: how democracy had been undermined, weakened, hollowed out, and perverted by the so-called free market and its functions…

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

#13 Epitafios II

by Angela Brouskou – Theatro Domatiou and MiniMaximum ImproVision

Epitafios II is a collaboration between professional actors, musicians, students, performers, and the audience. A blanket of human bodies and objects covers the floor of the former headquarters of the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]