documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The makeshift refugee camp in Calais, in the vicinity of the French port and hulking concrete bunkers, was known as the Jungle. According to different estimates, it gave shelter to nine or ten thousand…
At the beginning of the 1970s, the communist politburo in Albania decided to kick off a new campaign. Its focus was to be Emancipimi I Gruas (the so-called “Emancipation of Women”). The experience…
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
Devastating famines were routine in British India, resulting from the way in which the colony was forcibly incorporated into the global economy. For almost two centuries, revenues flowed from the colony…
Due to its prominent location in front of the Greek Parliament, the central square of Athens has long served as the starting and ending point for many assemblies and demonstrations. Its original name was…
At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…
by Sotirios Bahtsetzis, with images by Christos Karakepelis
What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…
Elias Petropoulos, who died in 2003, was the first Greek folklore researcher, author, and historian to document underground cultures and figures shunned by official history. A restless, inquisitive spirit, he was the enemy of academicism and the establishment…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster
The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…
To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…
