documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
Mary Zygouri researches, reenacts, and reconfigures the politics and poetics of the archive. She positions herself in its critical fissures, conflicts, and silences, bringing forth how “minor” histories…
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…
“Metapraxis is concerned with breaking through the barrier of meaning of a single medium, whatever that medium may be. Whenever that happens, that is music. That can be in any medium, providing metapraxis…
The brutalist Neue Hauptpost, renamed the Neue Neue Galerie by documenta 14, was inaugurated in 1975 as Kassel’s main post office and mail distribution center. In the wake of the partial privatization…
The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…
In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
with Colin Dayan, Pélagie Gbaguidi, Tavia Nyong’o, David Scott, and Françoise Vergès
Books are material surfaces of inscription where political fictions have the opportunity to become collective reality. The Code Noir was an economic and legal decree passed by King Louis XIV in 1685 to…
