documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
On 25 October 2015, Polish parliamentary elections were won decisively by the Law and Justice (PiS) party. A few months earlier, in May of last year, the party’s candidate Andrzej Duda won the presidential…
Ben Russell—filmmaker, artist, curator—challenges conventions of documentary representation from within to produce intense, hypnotic, and, at times, hallucinating experiences. His curatorial work follows…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…
Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…
