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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson
Notes

Miriam Cahn

Niggling questions

Is Miriam Cahn, born in Basel in 1949, a realist artist? What can be seen in her drawings, performances, films, and paintings—and what cannot? Where does the difference lie between…

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Artists

Double Gambit: Katerina Koskina and Adam Szymczyk in Conversation with Domenick Ammirati

The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…

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South Issue #9 [documenta 14 #4]

#31 Voices of Trans and Queer Politics in the Mediterranean

with Rüzgâr Buşki, Gizem Oruç, Şevval Kılıç, Margarita Tsomou, Maria Mitsopoulou aka Maria F. Dolores, Anna Apostolelli, and Tina Voreadi

With:

Rüzgâr Buşki, multimedia artist and producer, member of Kanka Productions
Gizem Oruç, musician, producer, and multimedia artist, member of Kanka Productions
Şevval Kılıç, sex worker, queer…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Syntagma Square

Due to its prominent location in front of the Greek Parliament, the central square of Athens has long served as the starting and ending point for many assemblies and demonstrations. Its original name was…

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Venues

André du Colombier

“Since beginning to know his work a bit better, I’ve come to think that this tall, curiously blond boy perceived us by way of clues—clues capable of entering savant equations, according to linguistic…

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Historical Positions

Kunsthochschule Kassel

Idyllically sited in Kassel’s Auepark, the Kunsthochschule is housed inside a marvel of late modernist architecture designed by Paul Friedrich Posenenske in the 1960s. For some time, the art school has…

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Venues

Writing the Ecocide-Genocide Knot: Indigenous Knowledge and Critical Theory in the Endgame

by Gene Ray

Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…

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South Issue #8 [documenta 14 #3]

Keimena #22: Ernste Spiele I–IV (Serious Games I–IV)

by Harun Farocki

Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…

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Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a ­discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

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South Issue #7 [documenta 14 #2]

SPOTS

with Aysun Bademsoy, Mareike Bernien, Madeleine Bernstorff, and Cana Bilir-Meier

September 1, 2017
8 pm, Fridericianum
Presentation and film screening
Live stream available…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

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South Issue #6 [documenta 14 #1]