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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Drawing a Line through Landscape: The Tent

by Nikhil Chopra

When seen from a distance, there is a constant glow within the tent as if it has a warm light switched on. In the day, the drawing is backlit and at night, when the oil lamps burn inside, it lights up…

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Notes

Marina Gioti

What are the commonalities between two 1980s commercials, one in which a blonde couple are vigorously playing something between racquetball and softball on a beach near Athens to the Dead Κennedys song…

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Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet. 

On the day when this small window was broken, my father lifted…

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South Issue #9 [documenta 14 #4]

#20 Transgressive Listening

by Stathis Gourgouris

Stathis Gourgouris is professor at the Institute for Comparative Literature and Society at Columbia University, New York. He is the author of Synaesthetics of the Polity (forthcoming, 2018); The Perils…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Epigraphic Museum

This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…

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Venues

Maria Lai

Sardinian artist Maria Lai’s oeuvre is closely interwoven with literature and poetry, both formally and as related to content. Writer Salvatore Cambosu (1895–1962) was an important mentor and friend…

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Historical Positions

Narrowcast House

Narrowcast House is an open radio studio and listening space initiated by artist Anton Kats for documenta 14’s aneducation. Located in a disused storefront in Kassel’s Nordstadt, Narrowcast House is…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #18: Nespatřené (The Unseen)

by Miroslav Janek

“Sometimes I think I should give up, but life is for living,” says a blind boy in Miroslav Janek’s The Unseen. This award-winning documentary takes place in a school for blind children in Prague. For too long the disabled were hidden from the public eye, they were unseen. Janek’s film rectifies this by allowing the children to tell their own stories…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

The Gesture of Hospitality

with Nathan Pohio, Hendrik Folkerts, and Candice Hopkins

Nathan Pohio comments on rituals of hospitality within Māori culture and the political implications of being a host and being a guest.

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Indelible Presence of the Gurlitt Estate:
Adam Szymczyk in conversation with Alexander Alberro, Maria Eichhorn, and Hans Haacke

To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…

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South Issue #6 [documenta 14 #1]