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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Dignity has never been photographed

by Abounaddara

Dignity isn’t well regarded at the moment. It’s seen as a normative concept, difficult to gauge and even more difficult to reconcile with artistic practices that tend to strive for emancipation from norms. It’s also a political argument that has been made by reactionaries and enemies of artistic freedom. Finally, it is an ideal that goes against the tide of nihilism in this atmosphere of triumphant post-truth…

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Notes

Anna Daučíková

One could say that Anna/Anča Daučíková is the first Czech/Slovak feminist female artist—except that Daučíková’s work problematizes the terms of this seemingly simple enunciation. Who can claim…

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Artists

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…

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South Issue #9 [documenta 14 #4]

#8 This is not the Place. Four Visits to Villa Grimaldi: A Chilean Center for Torture and Detention

by Diana Taylor

Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Fylasion 42

In close proximity to the Mentis Center for the preservation of traditional textile techniques at Polyfimou 6, Aboubakar Fofana has taken occupancy of a former microbrewery, installing indigo vats as part…

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Venues

Władysław Strzemiński

“The movement of the eye, the trace of the sliding glances, the muscles that contract and distend link the shapes seen in nature and form a uniform rhythm … The rhythm is mostly the rhythm of autonomous…

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Historical Positions

Kulturzentrum Schlachthof

Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…

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Venues

Keimena #16: Angriff auf die Demokratie – Eine Intervention (Democracy Under AttackAn Intervention)

by Romuald Karmakar

In December 2011, ten German intellectuals met in Berlin to discuss the current political crisis: how democracy had been undermined, weakened, hollowed out, and perverted by the so-called free market and its functions…

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Public TV

Draupadi: Translator’s Foreword*

by Gayatri Chakravorty Spivak

I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…

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South Issue #7 [documenta 14 #2]

#11 Torture and Freedom Tour of Athens

by Vangelis Karamanolakis, Tasos Sakellaropoulos, Kostis Karpozilos, and Katerina Labrinou

Collective walk through the city of Athens, in collaboration with ASKI archives, exploring the historical traces of oppression, violence, and the quest for freedom during the military dictatorship of 1967–74.

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

 

i would not be

i would not be had i not not i i too but not even at all if. 
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

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South Issue #6 [documenta 14 #1]