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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

We Are Dying—Take Care of the Right to the Image

by Abounaddara

In the spring of 2011, Syrians rose up against a dictatorship inherited from another era. Schoolchildren wrote “The emperor wears no clothes!” on the walls. Young people streamed into the streets and…

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Notes

Terre Thaemlitz

“But you know Terre, you have a problem with everything.” This comment came during the rather awkwardly titled “Charming for the Revolution: A Congress for Gender Talents and Wildness,” at Tate…

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Artists

Lives and Works of Lorenza Böttner

by Paul B. Preciado

Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…

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South Issue #9 [documenta 14 #4]

#1

by Linnea Dick

Linnea Dick is the daughter of Pamela Bevan and Beau Dick. She carries the Kawakwaka’wakw name Malidi, meaning “to always find a purpose and path in life.” She is of Kawakwaka’wakw, Nisga’a…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Trianon

Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…

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Venues

Cornelius Cardew

Treatise is a graphic score, com­posed without reference to any system of rules governing the inter­pretation. It was begun in 1963 and is still incomplete; the hundred pages that are ready at present…

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Historical Positions

Torwache

Today’s Torwache is the remnant of a palatial building plan cut short by the Napoleonic wars and invasions of the early nineteenth century. Designed by local architect Heinrich Christoph Jussow, best…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #40: An Opera of the World

by Manthia Diawara

In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…

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Public TV

Mask Silence, Silence Masks, or A Condition of Utmost Listening

by Stathis Gourgouris

Silence 1

The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-­between…

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South Issue #7 [documenta 14 #2]

Bookworks Revisited: This Is a Poem

with Tina Pandi and Kyrillos Sarris

For the second public meeting of The Society of Friends of Ulises Carrión we invite you to Bookworks Revisited: This Is a Poem, a presentation and discussion focusing on different strands of and correspondences between art and poetry, writing as art, and the stories around the artists and writers of the Visual Poetry Group, active mainly in Athens since 1981…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]