documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
In the fifty-five years that I’ve known Jonas Mekas, I have never seen him without a camera, ready to use. First it was a 16 mm Bolex, then a series of video and digital recording devices. Today, most…
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
One of the largest temples of the ancient world, the Temple of Olympian Zeus was first planned in 515 BC by Peisistratus the Young. Construction, however, stalled for more than six hundred years and only…
The agronomist, freedom fighter, and political revolutionary Pandurang Khankhoje was born in 1886 in British colonial India. Profoundly impacted by the Great Famine of 1896–97, Khankhoje remained acutely…
The Hessisches Landesmuseum, designed by the German historicist architect Theodor Fischer, was inaugurated in 1913; as such, it was among the last major historical museums opened before the onset of World…
by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner
Scene 1: Prologue
The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
