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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Christopher D’Arcangelo (1955–1979)

In 1974, at the age of nineteen, Christopher D’Arcangelo embarked on a series of paintings using rudimentary stenciled letters painted on a monochrome ground. Inspiration for the series came, at least…

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Notes

Banu Cennetoğlu

A photograph, hazy in the way old photos can be, reveals a young woman in traditional Kurdish costume, a clunky metal headdress atop her head. She doesn’t smile. In another, shoulder pads conspicuous…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

No One is Illegal

with Martin Rapp, Rex Osa, and Ralf Homann

Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Polytechnion, National Technical University of Athens (NTUA) and Athens School of Fine Arts (ASFA), Prevelakis Hall

Athens Polytechnic is among the oldest higher-education institutions of Greece. It is also a central symbolic and historical locus of contemporary Greek resistance. On November 14, 15, and 16, in 1973…

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Venues

Giovanni di ser Giovanni Guidi

Of the many guises donned by the devil in his ultimately fruitless attempts to lead Saint Anthony the Abbot into temptation, the mound of gold is perhaps the most abstract, iconographically speaking—but…

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Historical Positions

Westpavillon (Orangerie)

The Orangerie was built by Karl I, Landgrave of Hesse-Kassel, at the beginning of the eighteenth century. It served him as both a summer house and a winter habitat for potted trees such as citrus and palms…

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Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

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South Issue #8 [documenta 14 #3]

Keimena #4: La Mort de Louis XIV

by Albert Serra

Albert Serra’s The Death of Louis XIV is an exquisite meditation on death, dignity and voyeurism that unfurls like a baroque tapestry. Visionary Catalan filmmaker and artist Albert Serra is contemporary cinema’s master historicist…

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Public TV

Fair Trade Heads: A Conversation on Repatriation and Indigenous Peoples with Maria Thereza Alves, Candice Hopkins, and Jolene Rickard

The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…

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South Issue #7 [documenta 14 #2]

#9 Between Terror and Revelry. Collective Strategies of Resistance during Dictatorships in Argentina and Brazil

by Ana Longoni

Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

 

i would not be

i would not be had i not not i i too but not even at all if. 
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

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South Issue #6 [documenta 14 #1]