documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson

Notes

Nomin Bold

Nomin Bold belongs to the new generation of Mongol Zurag (literally, Mongol Picture) artists, who were trained after the socialist restrictions on tradition were lifted in Mongolia, just as the country…

Artists

Lives and Works of Lorenza Böttner

by Paul B. Preciado

Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…

South Issue #9 [documenta 14 #4]

#13 Epitafios II

by Angela Brouskou – Theatro Domatiou and MiniMaximum ImproVision

Epitafios II is a collaboration between professional actors, musicians, students, performers, and the audience. A blanket of human bodies and objects covers the floor of the former headquarters of the…

Calendar

Interview with Cecilia Vicuña

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Fylasion 42

In close proximity to the Mentis Center for the preservation of traditional textile techniques at Polyfimou 6, Aboubakar Fofana has taken occupancy of a former microbrewery, installing indigo vats as part…

Venues

August Spies

August Spies was born near Bad Hersfeld in central Hessen in 1855 and trained at the Polytechnikum in Kassel. Orphaned at age 17, he emigrated to the US, finally settling in Chicago in 1873, where he became…

Historical Positions

Public Radio

Neue Galerie

Housing the Museumlandschaft Hessen-Kassel’s collection of nineteenth, twentieth, and twenty-first century art, the Neue Galerie has been an important venue in a number of previous editions of documenta…

Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

South Issue #8 [documenta 14 #3]

Keimena #33: Pays Barbare (Barbaric Land)

by Yervant Gianikian and Angela Ricci Lucchi

In Barbaric Land, Angela Ricci Lucchi and Yervant Gianikian ask, ‘What is fascism?’ How is it born, how is it rooted, and what unites its different strains? Composed of archival documentary material, their film descends into the darkest period of Italian history…

Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

South Issue #7 [documenta 14 #2]

The Parliament of Bodies: The Strategy of Joy

with Ross Birrell, Nita Deda, Hendrik Folkerts, Dimitris Ginosatis, Natasha Ginwala, Guillermo Gómez-Peña and Balitronica Gómez, Jack Halberstam, Trajal Harrell, Candice Hopkins, iQhiya, Élisabeth Lebovici, Catherine Malabou, Joar Nango, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Ibrahim Quraishi, Roee Rosen, Dim Sampaio, and Adam Szymczyk

A paradox lies at the heart of contemporary democratic societies concerning the center of the politics of representations of their parliaments: They have gradually turned into ensembles joined by fear…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

South Issue #6 [documenta 14 #1]