documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Annie Pootoogook was from the Arctic near the North Pole. Her community is called Kinngait in Inuktitut—the language of Inuit people—and Cape Dorset in English. Annie passed away a few days ago. Police…
“My name is Danai Anesiadou. My name is Danai Anesiadou.” Exclaimed over and over again, these assertions have begun nearly every one of the artist’s performances to date. (Describing those performances…
What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…
In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…
Elpidos Street is the site of a performance by Regina José Galindo, in which the artist wears a dress kept by the family of a woman murdered in her native Guatemala. While the Victoria Square area is…
Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…
The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…
To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…
with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis
A discussion on Democracy and War with Andrew Feinstein, author, and Johan Grimonprez, artist moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
