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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14: Greece: a (non-) European Country
by Yannis Almpanis

During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…

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Notes

Sámi Artist Group (Keviselie/Hans Ragnar Mathisen, Britta Marakatt-Labba, Synnøve Persen)

Sápmi—getting there and away

In the late 1970s, a group of artists born in the Sápmi region in the mid-1940s and ’50s returned after graduating from art schools and academies in the (Norwegian or…

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Artists

Double Gambit: Katerina Koskina and Adam Szymczyk in Conversation with Domenick Ammirati

The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…

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South Issue #9 [documenta 14 #4]

#20 Transgressive Listening

by Stathis Gourgouris

Stathis Gourgouris is professor at the Institute for Comparative Literature and Society at Columbia University, New York. He is the author of Synaesthetics of the Polity (forthcoming, 2018); The Perils…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Panathenaic Stadium/Hellenic Olympic Committee

First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…

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Venues

Giovanni di ser Giovanni Guidi

Of the many guises donned by the devil in his ultimately fruitless attempts to lead Saint Anthony the Abbot into temptation, the mound of gold is perhaps the most abstract, iconographically speaking—but…

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Historical Positions

Friedrichsplatz

Constructed in the late eighteenth century as a way to expand Kassel from the old medieval town toward the flourishing Huguenot settlement nearby, Friedrichsplatz has often been employed as an arena for…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #22: Ernste Spiele I–IV (Serious Games I–IV)

by Harun Farocki

Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

#6 Memory under Construction: Towards a Public Memory of Torture in Greece

by Kostis Kornetis

After Argentina’s economic collapse in 2001, a discourse around body politics became strongly engaged in not only tackling but also actively working through the country’s painful dictatorial past…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]