documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Studio 14 is a research and a workplace driven by a multiplicity of different subjects; capable of giving rise to certain configurations; a process involving the fields of art, education, and politics; and oriented towards the forms of knowledge that circulate and are produced in those fields…
“Being under the empire of this thing,” the French filmmaker M. Auder, born in 1945, said to me once, as we sat in a bourgeois Swiss restaurant. His silver bracelets shining, seemingly developing against…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…
Between 1974 and 1976, following the end of the dictatorship in Greece, the store on Tositsa 5 in Exarcheia was activated as the first artist-run space in Athens, called Center for the Fine Arts and founded…
A contemporary and close associate of documenta’s founding father Arnold Bode, Karl Leyhausen was a prominent member of the Kassel Secession, helping new trends in interbellum European art make their…
Tofufabrik was founded toward the end of the 1990s by György Debreceni and Heike Hellerung, pioneers of the “bio tofu scene” in Hessen. What started as a small, local supplier of organic bean curd…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
