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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Keeper of the Art That Kept Him: David Schutter in Conversation with Dieter Roelstraete

Dieter Roelstraete: The story of the Gurlitt Estate has been an ongoing curatorial concern of documenta 14’s. For some time now you have sailed on an independent course of artistic research into the…

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Notes

Rainer Oldendorf

Like a writer who places epigraphs at the beginning of his text—other voices—to give rise to an idea of the work as a whole, please find enclosed some elements and conditions for the work in production…

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Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet. 

On the day when this small window was broken, my father lifted…

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South Issue #9 [documenta 14 #4]

#13 Epitafios II

by Angela Brouskou – Theatro Domatiou and MiniMaximum ImproVision

Epitafios II is a collaboration between professional actors, musicians, students, performers, and the audience. A blanket of human bodies and objects covers the floor of the former headquarters of the…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Byzantine and Christian Museum (Gardens)

The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…

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Venues

Naturkundemuseum im Ottoneum

After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…

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Venues

Revolutionary Work: Pandurang Khankhoje and Tina Modotti

by Savitri Sawhney

My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…

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South Issue #8 [documenta 14 #3]

Keimena #15: Baghé Sangui (The Garden of Stones)

by Parviz Kimiavi

The Garden of Stones, by Parviz Kimiavi, won the Silver Bear at the Berlin Film Festival in 1976. Born in Tehran in 1939 and now living in Paris, Kimiavi is a cult figure in the Iranian New Wave. He studied film and photography at l'École Louis Lumière in Paris and worked in French television before returning to Iran in 1969, where he became a pioneering figure in Iran’s alternative cinema scene…

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Public TV

The Mask of Language: Poems of Alejandra Pizarnik

by Quinn Latimer

“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…

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South Issue #7 [documenta 14 #2]

Manifiesto de Sedición Feminista

by María Galindo

We are not risking the production of an artwork; we are risking the production of expectation. Five theses about what we're experiencing at the moment, five theses about what to do, and three propagandist…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

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South Issue #6 [documenta 14 #1]