documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

by Artur Żmijewski

The makeshift refugee camp in Calais, in the vicinity of the French port and hulking concrete bunkers, was known as the Jungle. According to different estimates, it gave shelter to nine or ten thousand…

Notes

iQhiya

There is something called the “hidden curriculum,” a term developed by educational theorists in the 1920s. If it were not so hidden, I could explain exactly what it is, but it always seems to conceal…

Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet.

On the day when this small window was broken, my father lifted…

South Issue #9 [documenta 14 #4]

Word-of-Mouth: On the Early Reception of Ulises Carrión

with Magalí Arriola

Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…

Calendar

Interview with Cecilia Vicuña

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Rizari Park

Near the Athens War Museum, a green oasis of exclusively Mediterranean flora is situated between two busy avenues. The plants were bequeathed in 1844 by Georgios Rizaris, a former member of the Society…

Venues

Tina Modotti

The agronomist, freedom fighter, and political revolutionary Pandurang Khankhoje was born in 1886 in British colonial India. Profoundly impacted by the Great Famine of 1896–97, Khankhoje remained acutely…

Historical Positions

Public Radio

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

South Issue #8 [documenta 14 #3]

Keimena #15: Baghé Sangui (The Garden of Stones)

by Parviz Kimiavi

The Garden of Stones, by Parviz Kimiavi, won the Silver Bear at the Berlin Film Festival in 1976. Born in Tehran in 1939 and now living in Paris, Kimiavi is a cult figure in the Iranian New Wave. He studied film and photography at l'École Louis Lumière in Paris and worked in French television before returning to Iran in 1969, where he became a pioneering figure in Iran’s alternative cinema scene…

Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

South Issue #7 [documenta 14 #2]

Social Economies: Deinstitutionalizing Alternatives, Global Capitalism, and Local Knowledge

with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides

As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

South Issue #6 [documenta 14 #1]