documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
The filmic art of Bouchra Khalili, born in Casablanca in 1975, grasps the fundamental tools of cinema to prise open the frames of history and thereby offer an encounter with suspended truths of the globalized…
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
The EMST–National Museum of Contemporary Art, which has collected Greek and international art from the postwar period to the present since 2000, initially presenting a program in various temporary venues…
Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
How two people come apart can be as compelling to watch as what brings them together. In Clarie Denis’ film Voilà l’enchaînement, the fissures in a relationship between a black man (Alex Descas) and a white woman (Norah Krief) are apparent from the first scene. Longing for more closeness, and caressing his shoulder, she asks him to tattoo her name on his body. He gently refuses: “for you it means eternity, for me it means branded.” Does the friction of this early exchange—still light enough to be softened with an embrace, but opening a crack of enmity—set in motion what comes next…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
The hunt and greed for resources has shaped economic and societal models over the ages. A growing world population is affecting the way resources are being depleted, causing major societal disruption on…
