documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Abdurrahim Buza is one of the most respected Albanian painters whose career spanned the years before and after WWII. Buza was born in 1905 in Skopje (today Macedonia) in a family originally from Gjakova…
“Being under the empire of this thing,” the French filmmaker M. Auder, born in 1945, said to me once, as we sat in a bourgeois Swiss restaurant. His silver bracelets shining, seemingly developing against…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
Although torture under the Greek military junta (1967–74) has been subject to scrutiny, with important trials in Strasbourg (1968–69) and Greece (the so-called “Torturers’ Trials,” 1975), the…
Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…
Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group
“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
