documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…
Akinbode Akinbiyi is, by way of photography and poetry, a chronicler of the quotidian. He is interested in “everydaylifeness” rather than everydayness; two states differentiated by Akinbiyi’s profound…
This three-day seminar reexamines the fundamental relationships that wars and civil wars (among classes, races, sexes) have entertained with capital (and especially financial capital) throughout the history…
Cecilia Vicuña completes the Athenian chapter of her documenta 14 project by way of a ritual offering to the sea gods of ancient Hellenic lore. The sacrifice in question consists of Vicuña presenting…
A contemporary and close associate of documenta’s founding father Arnold Bode, Karl Leyhausen was a prominent member of the Kassel Secession, helping new trends in interbellum European art make their…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
In Sound Cage: A Portrait of Katalin Ladik by Kornél Szilágyi (also known as Igor Buharov), the many languages of Serbian-Hungarian poetess, actress, and visual artist Katalin Ladik come together…
I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…
Migrants are perceived, at best, as victims. But leaving home, enduring perils, taking a chance on the unknown requires courage. Their story is heroic as well. Talk and dance by Mandela Girls.
It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…
