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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson
Notes

Elisabeth Wild

Nací en Viena (Austria) el 6 de febrero de 1922. En 1938 emigré con mis padres, Franz und Stefanie Pollak, a la Argentina, a Buenos Aires. Aprendí a pintar con un artista de la Academia de Arte de Viena…

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Artists

Memory, Image: On Rosa Luxemburg’s Prison Letters and Gender Violence

by Sean O’Toole

Among the things I inherited from grandmother when she died were her handwritten recipes and a hardcover edition of Roberts’ Birds of Southern Africa, an illustrated guidebook to the region’s winged…

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South Issue #9 [documenta 14 #4]

#16 Lingua Tertii Imperii

by Daniel García Andújar

Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Filopappou Hill, Pikionis Paths and Pavilion

Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…

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Venues

KSYME-CMRC

The Contemporary Music Research Center (KSYME-CMRC) was founded in Athens in 1979 by Iannis Xenakis, Giannis G. Papaioannou, and Stephanos Vassiliadis, with the aim of developing electro-acoustic music…

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Historical Positions

Hessisches Landesmuseum

The Hessisches Landesmuseum, designed by the German historicist architect Theodor Fischer, was inaugurated in 1913; as such, it was among the last major historical museums opened before the onset of World…

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Venues

A Mighty Forest

by Dieter Roelstraete

It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…

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South Issue #8 [documenta 14 #3]

Keimena #8: Ku Qian (Bitter Money)

by Wang Bing

“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

Wars and Capital

with Eric Alliez and Maurizio Lazzarato

This three-day seminar reexamines the fundamental relationships that wars and civil wars (among classes, races, sexes) have entertained with capital (and especially financial capital) throughout the history…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Indelible Presence of the Gurlitt Estate:
Adam Szymczyk in conversation with Alexander Alberro, Maria Eichhorn, and Hans Haacke

To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…

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South Issue #6 [documenta 14 #1]