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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14: Greece: a (non-) European Country
by Yannis Almpanis

During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…

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Notes

Sámi Artist Group (Keviselie/Hans Ragnar Mathisen, Britta Marakatt-Labba, Synnøve Persen)

Sápmi—getting there and away

In the late 1970s, a group of artists born in the Sápmi region in the mid-1940s and ’50s returned after graduating from art schools and academies in the (Norwegian or…

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Artists

Nusja Jonë

by Yll Çitaku and Nita Deda

The Goran people of Kosovo live in Lubinje, a remote village at the foot of the Sharr Mountains. They have a tradition of dressing and making up the bride on her wedding day, covering the whole body in…

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South Issue #9 [documenta 14 #4]

#5 Freedom as Market Value. Freedom as Practice of Resistance

by Judith Revel

What does it mean to be free when the market exceedingly places the demand on individuals to be free, creative, autonomous, and striving? What is the difference between what Foucault, since the end of…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Elpidos 13, Victoria Square

From the storefront of no. 13 on this pedestrian street, it is a short walk to Victoria Square, a low-key crossroads for people of myriad nationalities, newly settled or passing through Greece. In Spring…

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Venues

Hessisches Landesmuseum

The Hessisches Landesmuseum, designed by the German historicist architect Theodor Fischer, was inaugurated in 1913; as such, it was among the last major historical museums opened before the onset of World…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #9: The Forgotten Space

by Allan Sekula and Noël Burch

American artist Allan Sekula made The Forgotten Space after he was invited to create a work of art in a public space. He thought it important to understand television as such a public space and set out to make a film for national television with his co-director, the Paris-based American film theorist Noël Burch…

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Public TV

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…

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South Issue #7 [documenta 14 #2]

#6 Memory under Construction: Towards a Public Memory of Torture in Greece

by Kostis Kornetis

After Argentina’s economic collapse in 2001, a discourse around body politics became strongly engaged in not only tackling but also actively working through the country’s painful dictatorial past…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Construction of Southern Ruins, or Instructions for Dealing with Debt

by Aristide Antonas

 

In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…

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South Issue #6 [documenta 14 #1]