documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Hooran balances precariously on a jagged rock in Barmer, Rajasthan. Her hands are curled up like claws, and her gaze is fearsome. Mir Hasan clutches the body of his bedridden grandfather, Haji Saraj ud…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
The EMST–National Museum of Contemporary Art, which has collected Greek and international art from the postwar period to the present since 2000, initially presenting a program in various temporary venues…
In Self-Portrait as a Tahitian, Amrita Sher-Gil performs her corporeality as a field of citation. As one of the most striking self-portraits among several composed throughout the brief span of her life…
Measuring 1.5 square kilometers in total, the Auepark or Karlsaue, so named after its patron Landgrave Karl of Hesse-Kassel, is the tautly composed, arch-symmetrical Baroque counterpoint to the sprawling…
Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…
with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster
The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…
