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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson
Notes

Rasheed Araeen

On that day, fourteen years ago, I met Rasheed for the first time. The door opened, I heard a soft chuckle, and a bright-eyed man with a wild halo of graying hair pulled me out of the rain. Up some stairs…

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Artists

We Are Somatic Creatures: Hila Peleg in Conversation with Rosalind Nashashibi, Véréna Paravel and Lucien Castaing-Taylor, and Ben Russell

Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…

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South Issue #9 [documenta 14 #4]

#9 Between Terror and Revelry. Collective Strategies of Resistance during Dictatorships in Argentina and Brazil

by Ana Longoni

Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

First Cemetery of Athens

Under the shade of pine and cypress trees in the First Cemetery of Athens, opened in 1837, are buried some of the most prominent Greek politicians, writers, and artists. Its varied collection of mausoleums…

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Venues

David Perlov

Filmmaker David Perlov was born in Rio de Janeiro in 1930 and passed away in Tel Aviv in 2003. In 1957, he made his first short film, Old Aunt China, an animation based on sarcastic drawings and texts…

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Historical Positions

Hessisches Landesmuseum

The Hessisches Landesmuseum, designed by the German historicist architect Theodor Fischer, was inaugurated in 1913; as such, it was among the last major historical museums opened before the onset of World…

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Venues

Lala Rukh
Introduction by Natasha Ginwala

An ink drawing entitled Hieroglyphics I: Koi ashiq kisi mehbooba se 1 (1995) unfolds Lala Rukh’s secret language, a constellation of calligraphic form, Minimalism, and symbolic writing. Borrowing her…

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South Issue #8 [documenta 14 #3]

Keimena #11: Loubia Hamra (Bloody Beans)

by Narimane Mari

Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…

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Public TV

Bibliocaust

by Mustapha Benfodil

I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…

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South Issue #7 [documenta 14 #2]

Communism will be the collective management of alienation*

with Nadia Bou Ali, Ray Brassier, Dimitra Kotouza, Mattin, and Paul B. Preciado

Previous revolutionary theories thought that it was possible to live in unalienated conditions. However, the question of mediation and how we understand ourselves is being radically challenged today: technology…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

A United Front Against the Debt

by Thomas Sankara

The case of AKP, an eighty-year-old Polish immigrant in England described by neuropsychologist Chris Moulin et al. in a 2005 paper in the journal Neuropsychologia, is one of many prominent examples of…

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South Issue #6 [documenta 14 #1]