documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…
Measuring 2.7 by 10.9 meters, The War of the Relics (2013)—K. G. Subramanyan’s final mural before his death in June 2016—is a rare and ambitious feat of the human spirit. Painted by an eighty-eight-year-old…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides
As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…
Internationally renowned as a stage and costume designer, Yannis Tsarouchis (1910–1989) also painted prolifically in a style both modernist and sensual. He was celebrated across divisions of sex, class…
Similar to the Landesmuseum a couple of blocks to the south, the Stadtmuseum has had a recent rebirth. Founded in 1979 inside a typical 1870s Gründerzeit building, it reopened in 2016 after a long period…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou
By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…
