documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
A hideous crime was carried out in the name of God on the 13th of November in Paris. The presumed killers are French or Belgian citizens who do not identify with their national communities or with common…
The mirror is a window. It offers a glimpse Of where we are from But cannot return. We are all travelers On this endless road Condemned to roam Without repose.
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
Greece’s third oldest university, established in 1920, is situated on either side of Iera Odos. This ancient “sacred way” was established some four thousand years ago, serving religious processions…
Filmmaker David Perlov was born in Rio de Janeiro in 1930 and passed away in Tel Aviv in 2003. In 1957, he made his first short film, Old Aunt China, an animation based on sarcastic drawings and texts…
Today’s Torwache is the remnant of a palatial building plan cut short by the Napoleonic wars and invasions of the early nineteenth century. Designed by local architect Heinrich Christoph Jussow, best…
Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…
UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…
with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster
The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
