documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Israeli filmmaker David Perlov died, he left behind dozens of Hefte (notebooks), filled with epigrams, texts for films, biographical notes, images interwoven with texts, and texts with images. Yet…
During one of my initial visits to his Kolkata home, Ganesh Haloi sat me down with an offering of Bengali sweets and then explained how one reads elemental shapes in our organic world. How the line, circle…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
Niillas Somby is a Sámi political-rights activist, journalist, videographer, and photographer. He was one of the seven hunger strikers during the Alta controversy (1982) and lost an arm during a sabotage…
From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…
“Metapraxis is concerned with breaking through the barrier of meaning of a single medium, whatever that medium may be. Whenever that happens, that is music. That can be in any medium, providing metapraxis…
Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…
For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…
UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
In response to the violence and volume of complaints and disparaging remarks received during the last week, we have decided to cancel Franco “Bifo” Berardi’s performance. We respect those who might…
Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…
