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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson
Notes

K. G. Subramanyan

Measuring 2.7 by 10.9 meters, The War of the Relics (2013)—K. G. Subramanyan’s final mural before his death in June 2016—is a rare and ambitious feat of the human spirit. Painted by an eighty-eight-year-old…

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Artists

Introduction to the Society of the Indigenous

with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou

By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Polytechniou 8

"A spring morning in the early 1950s, an excited group of young graduates crossed Patision avenue down to their favorite cafe on Polytechniou street. The wars were over, the sun was out, Athens was in…

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Venues

Lucius Burckhardt

On view is a small selection from over 800 watercolors, “Landschaftstheoretische Aquarelle,” made by the Swiss Renaissance man Lucius Burckhardt during his decades-long tenure as professor of sociology…

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Historical Positions

Gloria-Kino

Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #17: Chamissos Schatten, Kapitel 1: Alaska und aleutische Inseln (Chamisso’s Shadow, Chapter 1: Alaska and Aleutian Islands)

by Ulrike Ottinger

Ulrike Ottinger’s Chamissos Shadow Chapter 1: Alaska and Aleutian Islands takes as its point of departure the accounts of Adelbert von Chamisso. The nineteenth-century botanist and poet was a voyager on the Romanzow research expedition, which aimed to find a passage between the Pacific and Atlantic oceans…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

Introduction to the Society of the Indigenous

with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou

By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Indelible Presence of the Gurlitt Estate:
Adam Szymczyk in conversation with Alexander Alberro, Maria Eichhorn, and Hans Haacke

To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…

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South Issue #6 [documenta 14 #1]