documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
ANTIDORON. The EMST Collection at Museum Fridericianum, part of documenta 14, marks the first extensive presentation of the collection of the EMST–National Museum of Contemporary Art, Athens…
“Being under the empire of this thing,” the French filmmaker M. Auder, born in 1945, said to me once, as we sat in a bourgeois Swiss restaurant. His silver bracelets shining, seemingly developing against…
What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
Cecilia Vicuña completes the Athenian chapter of her documenta 14 project by way of a ritual offering to the sea gods of ancient Hellenic lore. The sacrifice in question consists of Vicuña presenting…
Similar to the Landesmuseum a couple of blocks to the south, the Stadtmuseum has had a recent rebirth. Founded in 1979 inside a typical 1870s Gründerzeit building, it reopened in 2016 after a long period…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…
