documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…
On December 3, 2016, when we sat together in their Boston kitchen, María Magdalena Campos-Pons and Neil Leonard shared with me the recording of a friend’s voice:
Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…
Inaugurated in 1991, Megaron was the outcome of the long efforts of an association of eminent social figures, musicians, and music lovers. The hall was built and has since operated on corporate, private…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
In the forty years between Inventur - Metzstrasse 11 and Logbook_Serbistan, Želimir Žilnik never ceased to give voice to the disenfranchised. Made in 1975, Inventur belongs to Žilnik's German period, when he fled Yugoslavia following the collapse of the “black wave” generation of Yugoslavian cinema of which the Serbian’ director was a key member…
(A text which reflects on those who are absent and on biographies, narrates Durito’s first encounter with the Cat-Dog, and talks about other things that may or may not be relevant, as the impertinent…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…
