documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Agim Çavdarbasha’s sculptural work is part of the foundations of modern art in Kosovo. He studied at Yugolslav art academies (in Belgrade 1964–69 and Ljubljana 1970–71) within liberal circumstances…
Zef Shoshi (born 1939 in Tirana) is one of best-known portraitists of Albanian socialist realism. He studied painting at the “Ilya Repin” Institute of Art in St. Petersburg, bringing home a strong…
When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…
with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster
The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…
Founded in Delphi by Theodoros Terzopoulos in 1985, the Attis Theatre is dedicated to performing the work of ancient Greek tragedy. The theater collaborates with international festivals and theaters to…
A contemporary and close associate of documenta’s founding father Arnold Bode, Karl Leyhausen was a prominent member of the Kassel Secession, helping new trends in interbellum European art make their…
Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…
Albert Serra’s The Death of Louis XIV is an exquisite meditation on death, dignity and voyeurism that unfurls like a baroque tapestry. Visionary Catalan filmmaker and artist Albert Serra is contemporary cinema’s master historicist…
with Naeem Mohaiemen, Vijay Prashad, Zonayed Saki, and Samia Zennadi
This four-evening seminar started from the desire to unpack some of the forgotten languages, broken dreams, and uncanny hopes that appear in Naeem Mohaiemen’s film for documenta 14 Kassel, Two Meetings…
