documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Agim Çavdarbasha’s sculptural work is part of the foundations of modern art in Kosovo. He studied at Yugolslav art academies (in Belgrade 1964–69 and Ljubljana 1970–71) within liberal circumstances…
The experience of working as an exhibition guard and art handler at documenta 2 in 1959 was fundamental to Hans Haacke’s understanding of the operative rules of the field of art. Overhearing curators’…
documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…
On August 17, 1944, Nazi troops executed seventy-five members of the Greek Resistance at the old factory of the British Oriental Carpet company in the neighborhood of Kokkinia (known also as Nikaia). Hundreds…
Fritz Winter was born in Altenbögge, Westfalen in 1905. A student of Paul Klee, Wassily Kandinsky, and Josef Albers at the Bauhaus, he was an early convert to the brand of lyrical abstraction—later…
The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…
“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…
documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…
The case of AKP, an eighty-year-old Polish immigrant in England described by neuropsychologist Chris Moulin et al. in a 2005 paper in the journal Neuropsychologia, is one of many prominent examples of…