documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During the week of June 19-23, 2017 documenta 14's sound and music program offers various concerts that provide a focus on and contextualization of the work of German composer Jakob Ullmann and American…
Alexandra Bachzetsis takes the emerging systems of communication that have come to define contemporary culture—pop music, the mass media, and the internet—as the true sites within which contemporary…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…
First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…
Many threads of Kassel’s history are woven together in this abandoned warehouse. Built in the 1950s on a location belonging to two of the city’s most prominent industrial dynasties, Henschel company…
Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…
To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…
by Panos Charalambous with Vassilis Charalambidis, Angelos Krallis, Panayotis Panopoulos
VOICE–O–GRAPH is a vinyl work of discovery, preservation, reuse and manipulation. A happening that manifests itself with objects of immediate urgency. Coming from either forgotten, censored, or disintegrated…
