documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…
The experience of working as an exhibition guard and art handler at documenta 2 in 1959 was fundamental to Hans Haacke’s understanding of the operative rules of the field of art. Overhearing curators’…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
with Nadia Bou Ali, Ray Brassier, Dimitra Kotouza, Mattin, and Paul B. Preciado
Previous revolutionary theories thought that it was possible to live in unalienated conditions. However, the question of mediation and how we understand ourselves is being radically challenged today: technology…
Located in Kypseli, a northern neighborhood of central Athens, the open-air cinema Stella sits like a blank frame set within a densely urban environment. Named after the strong-willed character played…
While Olu Oguibe’s project in Athens, The Biafra Time Capsule (2017), deals with an archive of the human tragedy of the Biafra War (1967–70), his work in Kassel refers to a critical humanitarianism…
Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…
In Sound Cage: A Portrait of Katalin Ladik by Kornél Szilágyi (also known as Igor Buharov), the many languages of Serbian-Hungarian poetess, actress, and visual artist Katalin Ladik come together…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
This three-day seminar reexamines the fundamental relationships that wars and civil wars (among classes, races, sexes) have entertained with capital (and especially financial capital) throughout the history…
It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…
