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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

We Are Dying—Take Care of the Right to the Image

by Abounaddara

In the spring of 2011, Syrians rose up against a dictatorship inherited from another era. Schoolchildren wrote “The emperor wears no clothes!” on the walls. Young people streamed into the streets and…

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Notes

Mata Aho Collective

He wāhine, he whenua,
ka ngaro te tangata

(Without women and without land, humanity is lost)

Mata Aho Collective: Aho is the Māori word for “weft,” while mata has multiple meanings. It can describe…

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Artists

Voyage of the Sable Venus

by Robin Coste Lewis

Prologue:

What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…

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South Issue #9 [documenta 14 #4]

Initiativgruppe Griechenland – Erinnerung als Widerstand (Initiative Group Greece – Remembrance as Resistance)

with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group

“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Aristotle’s Lyceum

Between the Athens Conservatoire (Odeion) and the Sarogleio Building (Armed Forces Officers Club) lie the foundations of the ancient Lyceum of Aristotle, established by the philosopher in 335 BC with a…

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Venues

Henschel-Hallen

Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…

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Venues

Walking with Nandita

by Moyra Davey

New York City, 157th Street

I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…

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South Issue #8 [documenta 14 #3]

Keimena #22: Ernste Spiele I–IV (Serious Games I–IV)

by Harun Farocki

Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…

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Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a ­discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

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South Issue #7 [documenta 14 #2]

#11 Torture and Freedom Tour of Athens

by Vangelis Karamanolakis, Tasos Sakellaropoulos, Kostis Karpozilos, and Katerina Labrinou

Collective walk through the city of Athens, in collaboration with ASKI archives, exploring the historical traces of oppression, violence, and the quest for freedom during the military dictatorship of 1967–74.

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]