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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

André Pierre (1915–2005)

Take Grand Bois (1975), with its overlap of fluid, gesticulating branches of the tree/God; or Imamou (1970s), the stature and mysterious prominence of the rooster looking on/in at the ceremony for Agoue…

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Notes

Romuald Karmakar

Filmmaker Romuald Karmakar draws on the traditions of those who shaped the New German Cinema of the 1960s and 1970s. His films exist within an expanded spectrum of subgenres spanning experimental documentary…

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Artists

For K.G. Subramanyan, or “Mani da” as we called him

by Naveen Kishore

I

Softly
like warm breath
on a cold mirror 

or a whisper
on bare feet 

wearing only white

he slipped away 

unable to resist
before escaping

a last glance

How many shawls from Kashmir can you give a man…

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South Issue #9 [documenta 14 #4]

Black Athena Reloaded 1: Ideas as Migrants
Debt and Migration in the Postcolony. An Enquiry into Greece’s Crisis

with Ranabir Samaddar and The Apatride Society of the Political Others, Lena Platonos, Savina Yannatou, Stergios Tsirliagos and The Society of Friends of Ulises Carrión

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Yannis Tsarouchis Foundation

Internationally renowned as a stage and costume designer, Yannis Tsarouchis (1910–1989) also painted prolifically in a style both modernist and sensual. He was celebrated across divisions of sex, class…

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Venues

Fridericianum

The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…

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Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

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South Issue #8 [documenta 14 #3]

Keimena #32: Le Président (The President)

by Jean-Pierre Bekolo

The President, by Jean-Pierre Bekolo, is a witty, poetic, and humorous take on the ugly reality of power in postcolonial Africa. States ruled by men who cling to power, craving immortality. Men like Uganda’s Yoweri Museveni, Zimbabwe’s Robert Mugabe, Angola’s José Eduardo dos Santos, or Equatorial Guinea’s Teodoro Obiang Nguema Mbasogo. Under their omnipotent rule, even to imagine a state after them is a crime…

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Public TV

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…

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South Issue #7 [documenta 14 #2]

Communism will be the collective management of alienation*

with Nadia Bou Ali, Ray Brassier, Dimitra Kotouza, Mattin, and Paul B. Preciado

Previous revolutionary theories thought that it was possible to live in unalienated conditions. However, the question of mediation and how we understand ourselves is being radically challenged today: technology…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

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South Issue #6 [documenta 14 #1]