documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson

Notes

Anna Daučíková

One could say that Anna/Anča Daučíková is the first Czech/Slovak feminist female artist—except that Daučíková’s work problematizes the terms of this seemingly simple enunciation. Who can claim…

Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet.

On the day when this small window was broken, my father lifted…

South Issue #9 [documenta 14 #4]

#27 Decolonizing Memory: Vita Futurities in the Americas

by Macarena Gómez-Barris

In this talk, Gómez-Barris asks how we might decolonize memory to activate different potential alternative and anti-capitalist futures. Specifically, the talk addresses how the evacuation of colonial…

Calendar

Interview with Akinbode Akinbiyi

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Museum of Islamic Art, Benaki Museum

From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…

Venues

Vadim Sidur

Historical Positions

Public Radio

Press and Information Center (former Leder Meid store)

At the center of the public exhibition in Kassel is the press and information center, located on the ground and first floor of the former leather store Leder Meid. The wallpaper works by Beatriz González…

Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

South Issue #8 [documenta 14 #3]

Keimena #12: Krisis

by Dimitri Venkov

Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day that “Leninopad,” the widespread demolition of monuments to Vladimir Lenin, kicked off in Ukraine. The first monument to be dismantled in Kyiv was made by Soviet sculptor Sergei Merkurov and was erected in 1946, while Stalin was still in power. The Ukrainian ultra-nationalist party Svoboda (Freedom) claimed responsibility…

Public TV

Bibliocaust

by Mustapha Benfodil

I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…

South Issue #7 [documenta 14 #2]

Introduction to the Society of the Indigenous

with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou

By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

South Issue #6 [documenta 14 #1]