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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

The Syrian who wanted the Revolution

by Abounaddara

The Syrian who wanted the revolution is not in opposition. S/he does not belong to the system of opposition, the product of a power struggle in Assad’s Syria. S/he did not go out onto the streets to…

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Notes

Artur Żmijewski

What is the place of art in the world? What, if anything, can we expect of it? Does art have any real goals or impact on reality? Artur Żmijewski, born in Warsaw in 1966, responds to these questions by…

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Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta 

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

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South Issue #9 [documenta 14 #4]

#4 Educación cívica / Civic Education

by Sergio Zevallos

Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Kotzia Square

The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…

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Venues

Alexander Kalderach

Very little is known about Alexander Kalderach, who was born in Hamburg in 1880 and died in Bern in 1965. The acme of his painting career was in the 1940s, when his work was included in the Grosse Deutsche…

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Historical Positions

Nordstadtpark

Nordstadtpark in Kassel is full of people on any summer evening or weekend, a place of leisure for the truly multinational neighborhood, as well as for students at the University of Kassel and visitors…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #23: Mababangong bangungot (Perfumed Nightmare)

by Kidlat Tahimik

Perfumed Nightmare is directed by the self-taught filmmaker Kidlat Tahimik, who also plays the lead role. It tells the story of a humble, small-town lad who drives a “jeepney,” one of the trucks left behind by the US military that are still the main form of public transportation in the Philippines…

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Public TV

The Mask of Language: Poems of Alejandra Pizarnik

by Quinn Latimer

“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…

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South Issue #7 [documenta 14 #2]

Piraeus Port as Entry Point of Global Capitalism

with Sandro Mezzadra, Brett Neilson, and Pavlos Hatzopoulos

The Apatride Society of the Political Others invites you to an evening of talks and discussions with Sandro Mezzadra, Brett Neilson and Pavlos Hatzopoulos about the impact of financial capitalism and logistics within the movement of goods and human bodies in the Mediterranean…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]