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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

André Pierre (1915–2005)

Take Grand Bois (1975), with its overlap of fluid, gesticulating branches of the tree/God; or Imamou (1970s), the stature and mysterious prominence of the rooster looking on/in at the ceremony for Agoue…

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Notes

Piotr Uklański

In 1711, in an essay for The Spectator, Joseph Addison defined wordplay as a “kind of false wit,” a petulant “jingle of words . . . comprehended under the general name of Punning.” The fraudulence…

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Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta 

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

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South Issue #9 [documenta 14 #4]

#22 I Owe You Everything

by Clémentine Deliss and Chief Robert Joseph

I Owe You Everything is a project that chooses and follows a series of contemporary thinkers, poets, and activists who are invited to construct a public “act of giving,” a critical and poetic ritual…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Polytechnion, National Technical University of Athens (NTUA) and Athens School of Fine Arts (ASFA), Prevelakis Hall

Athens Polytechnic is among the oldest higher-education institutions of Greece. It is also a central symbolic and historical locus of contemporary Greek resistance. On November 14, 15, and 16, in 1973…

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Venues

Maya Deren

Kiev-born experimental filmmaker, poet-writer, self-trained dancer, and photographer Maya Deren (initially Eleanora Derenkowsky) arrived in the United States in the wake of anti-Semitic pogroms in the…

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Historical Positions

Former Underground Train Station (KulturBahnhof)

documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #10: Rabo de Peixe (Fish Tail)

by Joaquim Pinto and Nuno Leonel

Joaquim Pinto and Nuno Leonel’s film Rabo de Peixe portrays an island within an island.” Rabo de Peixe is a fishing village, located on the island of São Miguel, which hosts the largest community of traditional fisheries in the Portuguese archipelago of the Azores. The re-edit of their 2003 film combines ethnographic observation and sociological investigation with a diaristic style and a nostalgic tone to portray the male members of two generations of fishermen from Rabo de Peixe and their daily lives, ambitions, and struggles…

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Public TV

The Mask of Language: Poems of Alejandra Pizarnik

by Quinn Latimer

“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…

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South Issue #7 [documenta 14 #2]

Social Economies: Deinstitutionalizing Alternatives, Global Capitalism, and Local Knowledge

with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides

As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education