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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Honeymoon in Chaospolis & (Not very) proper names

by Mustapha Benfodil

To Paris!
To all the victims
of liberticidal barbarity…

Honeymoon in Chaospolis

We met each other in Tunis
We loved each other in Gaza
We missed each other in Beirut
We kissed in Paris
We got married in Algiers
We…

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Notes

Apostolos Georgiou

“. . . It’s been a while since I left blue behind. Trapped inside ocher, maroon, brown, and mint green. I live in a palette of dark colors and among common objects. I follow my course through the vacant…

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Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet. 

On the day when this small window was broken, my father lifted…

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South Issue #9 [documenta 14 #4]

Social Economies: Deinstitutionalizing Alternatives, Global Capitalism, and Local Knowledge

with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides

As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Byzantine and Christian Museum (Gardens)

The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…

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Venues

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #37: Lmuja (The Wave)

by Omar Belkacemi

Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…

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Public TV

Fair Trade Heads: A Conversation on Repatriation and Indigenous Peoples with Maria Thereza Alves, Candice Hopkins, and Jolene Rickard

The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…

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South Issue #7 [documenta 14 #2]

Pile o´ Sápmi

with Máret Ánne Sara and Candice Hopkins

documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]