documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
In the fifty-five years that I’ve known Jonas Mekas, I have never seen him without a camera, ready to use. First it was a 16 mm Bolex, then a series of video and digital recording devices. Today, most…
The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…
with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis
Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…
Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…
An avant-garde composer, Ivan Wyshnegradsky’s research into microtonal music was inspired by Mikhail Matyushin. In the 1940s, already living in France, Wyschnegradsky started using colors to describe…
While Olu Oguibe’s project in Athens, The Biafra Time Capsule (2017), deals with an archive of the human tragedy of the Biafra War (1967–70), his work in Kassel refers to a critical humanitarianism…
UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…
Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…
The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…
