Menu
09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

 More
News

Iver Jåks (1932–2007)

When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…

 More
Notes

Mounira Al Solh

I often wonder what people mean when they say Kassel has changed over these past two years, during what has been called the “refugee crisis.” Has the city become more diverse? Are social and cultural…

 More
Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

 More
South Issue #9 [documenta 14 #4]

A Century of Camps: Refugee Knowledge and Forms of Sovereignty Beyond the Nation-State

With: Isshaq Al-Barbary, Mohammed Allahham, Niklas Goldbach, Sandi Hilal, Elias Khoury, Alessandro Petti, Lorenzo Pezzani, Rasha Salti, Jad Tabet, and Eyal Weizman

Curated by Rasha Salti and Paul B. Preciado…

 More
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

 More
Publications

Stoa tou Vivliou

Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…

 More
Venues

Fritz Winter

Fritz Winter was born in Altenbögge, Westfalen in 1905. A student of Paul Klee, Wassily Kandinsky, and Josef Albers at the Bauhaus, he was an early convert to the brand of lyrical abstraction—later…

 More
Historical Positions

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

 More
Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

 More
South Issue #8 [documenta 14 #3]

Keimena #1: From Gulf to Gulf to Gulf

by CAMP

CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…

 More
Public TV

#20 Transgressive Listening

by Stathis Gourgouris

Stathis Gourgouris is professor at the Institute for Comparative Literature and Society at Columbia University, New York. He is the author of Synaesthetics of the Polity (forthcoming, 2018); The Perils…

 More
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

 More
Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

 More
South Issue #6 [documenta 14 #1]