documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Abdurrahim Buza is one of the most respected Albanian painters whose career spanned the years before and after WWII. Buza was born in 1905 in Skopje (today Macedonia) in a family originally from Gjakova…
Alexandra Bachzetsis takes the emerging systems of communication that have come to define contemporary culture—pop music, the mass media, and the internet—as the true sites within which contemporary…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…
Erna Rosenstein (1913–2004) spent her youth in Krakow and Vienna. In the mid-1930s, she became involved with the avant-garde Krakow Group. She survived the Holocaust and, following the war, joined the…
The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…
The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…
with Karen Finley, Adonis Volanakis, Chrysanne Stathacos, and Sozita Goudouna
“Oracle drawings” is a project initiated and curated by Sozita Goudouna and Paul B. Preciado. It consists of a collaborative staging of a public participatory installation by Karen Finley and Adonis…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
