documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…
What are the commonalities between two 1980s commercials, one in which a blonde couple are vigorously playing something between racquetball and softball on a beach near Athens to the Dead Κennedys song…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…
This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…
Idyllically sited in Kassel’s Auepark, the Kunsthochschule is housed inside a marvel of late modernist architecture designed by Paul Friedrich Posenenske in the 1960s. For some time, the art school has…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
Migrants are perceived, at best, as victims. But leaving home, enduring perils, taking a chance on the unknown requires courage. Their story is heroic as well. Talk and dance by Mandela Girls.
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
