documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Beau Dick was given the name “Walis Gwy Um,” which means “big, great whale” in the Kwak’wala language. His carvings tap into the supernatural, as though everything he made is invested with spirit…
Annie Vigier & Franck Apertet, born respectively in 1965 and 1966, have been working out of Paris since 1994 under the name les gens d’Uterpan. They are choreographers who construct a critical dialogue…
What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…
Niillas Somby is a Sámi political-rights activist, journalist, videographer, and photographer. He was one of the seven hunger strikers during the Alta controversy (1982) and lost an arm during a sabotage…
This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
The Garden ofStones, by Parviz Kimiavi, won the Silver Bear at the Berlin Film Festival in 1976. Born in Tehran in 1939 and now living in Paris, Kimiavi is a cult figure in the Iranian New Wave. He studied film and photography at l'École Louis Lumière in Paris and worked in French television before returning to Iran in 1969, where he became a pioneering figure in Iran’s alternative cinema scene…
I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…
by Vangelis Karamanolakis, Tasos Sakellaropoulos, Kostis Karpozilos, and Katerina Labrinou
Collective walk through the city of Athens, in collaboration with ASKI archives, exploring the historical traces of oppression, violence, and the quest for freedom during the military dictatorship of 1967–74.
Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…
