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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14: Greece: a (non-) European Country
by Yannis Almpanis

During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…

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Notes

Sergio Zevallos

In his Émile perverti (1974), the philosopher and Charles Fourier scholar René Schérer describes how the modern, colonial, capitalist process of extracting and seizing the subject’s libidinal power…

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Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet. 

On the day when this small window was broken, my father lifted…

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South Issue #9 [documenta 14 #4]

Working Group Distomo

with Argyris N. Sfountouris and Margarita Tsomou

In Greece, June 10 is the most significant day of remembrance for victims of the Nazi regime. On this day in 1944, an SS massacre took place in the village of Distomo: The entire village was burned to…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Athens School of Fine Arts (ASFA)—Pireos Street (“Nikos Kessanlis” Exhibition Hall)

Above the entrance of the Athens School of Fine Arts on Pireos Street we find the popular Greek slogan Ένας στο Χώμα χιλιάδες στον Αγώνα (One in the soil, thousands on the battlefield)…

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Venues

Tomislav Gotovac

Performance on December 26, 1980, 10:30–11:30 am, Ilica 1a, in front of the Church of the Wounded Jesus
Fifth action-object

In a performance presented at the Week of Performance: Public Body (1997, concept…

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Historical Positions

Narrowcast House

Narrowcast House is an open radio studio and listening space initiated by artist Anton Kats for documenta 14’s aneducation. Located in a disused storefront in Kassel’s Nordstadt, Narrowcast House is…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #21: Bamako

by Abderrahmane Sissako

Directed by the Mauritanian Abderrahmane Sissako and set in the capital of Mali, Bamako examines the links between global economic policies and everyday life. It follows a singer and her unemployed husband. In the yard of the house they share with other families, a court is in session. On trial are the global institutions accused of impoverishing Africa…

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Public TV

Never-Closing

with Sergio Zevallos and members of the Open Form Societies

July 15, 2017, 4 pm
Parko Eleftherias, Athens Municipality Arts Center, Athens…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]