documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

Maria Lai (1919–2013)

While living with her aunt and uncle near Cardedu in the Sardinian countryside due to poor health, as a child Maria Lai traced bold sketches on the walls of their kitchen with charcoal from the fireplace…

Notes

Arin Rungjang

When Arin Rungjang speaks about history, he uses a vocabulary associated with rumor and hearsay: history is neither fact nor uncontested. For Rungjang, who was born in Bangkok in 1975, the contention is…

Artists

Resisting Extinction: Standing Rock, Eco-Genocide, and Survival

by Gene Ray

Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…

South Issue #9 [documenta 14 #4]

Black Athena Reloaded 1: Ideas as Migrants
Our Common Ghosts

with Christian Nyampeta and Isaïe Nzeyimana

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

Calendar

Interview with Maria Hassabi

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Filopappou Hill, Pikionis Paths and Pavilion

Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…

Venues

Étienne Baudet

“Dedicated to Louis the Great, King of France and Navarre, by his most obedient humble servant and subject Étienne Baudet.

In the foreground of this painting Poussin depicted the encounter between Diogenes…

Historical Positions

Public Radio

Westpavillon (Orangerie)

The Orangerie was built by Karl I, Landgrave of Hesse-Kassel, at the beginning of the eighteenth century. It served him as both a summer house and a winter habitat for potted trees such as citrus and palms…

Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

South Issue #8 [documenta 14 #3]

Keimena #27: He Who Eats Children, Atlantis, and TRYPPS #7 (Badlands)

by Ben Russell

Ben Russell—the director of Trypps #7 (Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…

Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

South Issue #7 [documenta 14 #2]

#9 Between Terror and Revelry. Collective Strategies of Resistance during Dictatorships in Argentina and Brazil

by Ana Longoni

Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

South Issue #6 [documenta 14 #1]