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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Abdurrahim Buza (1905–1986)

Abdurrahim Buza is one of the most respected Albanian painters whose career spanned the years before and after WWII. Buza was born in 1905 in Skopje (today Macedonia) in a family originally from Gjakova…

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Notes

Piotr Uklański

In 1711, in an essay for The Spectator, Joseph Addison defined wordplay as a “kind of false wit,” a petulant “jingle of words . . . comprehended under the general name of Punning.” The fraudulence…

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Artists

For K.G. Subramanyan, or “Mani da” as we called him

by Naveen Kishore

I

Softly
like warm breath
on a cold mirror 

or a whisper
on bare feet 

wearing only white

he slipped away 

unable to resist
before escaping

a last glance

How many shawls from Kashmir can you give a man…

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South Issue #9 [documenta 14 #4]

L'héroïsme des migrants

with Nicole Lappiere

Migrants are perceived, at best, as victims. But leaving home, enduring perils, taking a chance on the unknown requires courage. Their story is heroic as well. Talk and dance by Mandela Girls.

Mandela Girls…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Romantso

Romantso translates to “novel.” It was also the title of the popular Greek magazine that featured novel-length stories in each of its issues. It first launched in 1934; when, in 1956, its price dropped…

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Venues

Former Underground Train Station (KulturBahnhof)

documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…

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Venues

Writing the Ecocide-Genocide Knot: Indigenous Knowledge and Critical Theory in the Endgame

by Gene Ray

Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…

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South Issue #8 [documenta 14 #3]

Keimena #13: Kanehsatake: 270 Years of Resistance

by Alanis Obomsawin

Abenaki director Alanis Obomsawin’s film Kanehsatake: 270 Years of Resistance focuses on a small Kanien'kéha:ka (Mohawk) community, unheard of by many Canadians until a protest began on March 10, 1990…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

#0 Introduction

by Adam Szymczyk, Paul B. Preciado, and Andreas Angelidakis
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Two Poems

by Katerina Anghelaki-Rooke
South Issue #6 [documenta 14 #1]