documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The Athens-Kassel Ride—a mobile, participatory, human-equine ensemble performed over 100 days—is a 3000 km equestrian long ride across Europe linking the two cities of documenta 14…
Rise early enough and the day begins in darkness. In the films, videos, and installations of Amar Kanwar, darkness is prevalent but never absolute. In A Season Outside (1997), a meditation on the sources…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…
“As for me, I produce awkward objects. This absurd and convulsive mania proves the existence of an unknown, secret gland, necessary for life. Yes, this mania can be reduced to a single gesture, within…
At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…
The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…
