documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

In Memoriam: Tshiamo Naledi Letlhogonolo Pinky Mayeng (1993–2017)

hey friend,

we never met someone whose sense of time and space moved so mysterious

so independent of the chaos of this planet…

Notes

Miriam Cahn

Niggling questions

Is Miriam Cahn, born in Basel in 1949, a realist artist? What can be seen in her drawings, performances, films, and paintings—and what cannot? Where does the difference lie between…

Artists

Treaty and Protest: John Miller’s Photographs by Cassandra Barnett and Jon Bywater, with an introduction by Marina Fokidis

I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…

South Issue #9 [documenta 14 #4]

Oracle Drawings

with Karen Finley, Adonis Volanakis, Chrysanne Stathacos, and Sozita Goudouna

“Oracle drawings” is a project initiated and curated by Sozita Goudouna and Paul B. Preciado. It consists of a collaborative staging of a public participatory installation by Karen Finley and Adonis…

Calendar

Interview with Bonita Ely

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Archimidous 15

The industrial district of Moschato is characterized by workshops, tavernas, wholesale shops, and low-income housing blocks, while also hosting the Athens School of Fine Arts Pireos Street campus. Blocks…

Venues

Spiro Kristo

Historical Positions

Public Radio

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

Venues

Lala Rukh
Introduction by Natasha Ginwala

An ink drawing entitled Hieroglyphics I: Koi ashiq kisi mehbooba se 1 (1995) unfolds Lala Rukh’s secret language, a constellation of calligraphic form, Minimalism, and symbolic writing. Borrowing her…

South Issue #8 [documenta 14 #3]

Keimena #33: Pays Barbare (Barbaric Land)

by Yervant Gianikian and Angela Ricci Lucchi

In Barbaric Land, Angela Ricci Lucchi and Yervant Gianikian ask, ‘What is fascism?’ How is it born, how is it rooted, and what unites its different strains? Composed of archival documentary material, their film descends into the darkest period of Italian history…

Public TV

Fair Trade Heads: A Conversation on Repatriation and Indigenous Peoples with Maria Thereza Alves, Candice Hopkins, and Jolene Rickard

The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…

South Issue #7 [documenta 14 #2]

Were the anxieties around immigration and globalization any different in antiquity?

with Dr. Naman P. Ahuja and Natasha Ginwala

There are fears that globalization is making different cultural identities homogeneous, yet it often enables a cosmopolitanism that enables different local practices to coexist although some differences…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

The Haunted City

by Peter Friedl

The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…

South Issue #6 [documenta 14 #1]