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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Hallucinations / Live / Cinema / Festival

June 22–24, 2017
Greek Film Archive (Tainiothiki), Athens…

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Notes

Pavel Brăila

Pavel Brăila’s return to documenta 14, having shown his film Shoes for Europe (2000) at documenta 11, marks the coming-of-age of a complex art practice. Freeing itself from medium specificity, his work…

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Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

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South Issue #9 [documenta 14 #4]

Blood Memory

with Lala Meredith-Vula and Arnisa Zeqo

In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Agricultural University of Athens

Greece’s third oldest university, established in 1920, is situated on either side of Iera Odos. This ancient “sacred way” was established some four thousand years ago, serving religious processions…

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Venues

Giesshaus (University of Kassel)

The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #37: Lmuja (The Wave)

by Omar Belkacemi

Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

Gordon Hookey: Summoning Time. Painting & Politikill Transition in MURRILAND!

with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts

Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]