documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
One could say that Anna/Anča Daučíková is the first Czech/Slovak feminist female artist—except thatDaučíková’s work problematizes the terms of this seemingly simple enunciation. Who can claim…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…
Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…
Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…
The President, by Jean-Pierre Bekolo, is a witty, poetic, and humorous take on the ugly reality of power in postcolonial Africa. States ruled by men who cling to power, craving immortality. Men like Uganda’s Yoweri Museveni, Zimbabwe’s Robert Mugabe, Angola’s José Eduardo dos Santos, or Equatorial Guinea’s Teodoro Obiang Nguema Mbasogo. Under their omnipotent rule, even to imagine a state after them is a crime…
