documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
Rosalind Nashashibi’s films are shot at eye level. The gaze is never above, never below. Each shot is an eyelid that opens and closes. What is filmed becomes a face. Living matter, active surfaces: Nashashibi’s…
Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…
Between 1974 and 1976, following the end of the dictatorship in Greece, the store on Tositsa 5 in Exarcheia was activated as the first artist-run space in Athens, called Center for the Fine Arts and founded…
The Polish-Jewish author and artist Bruno Schulz spent most of his life in the town of Drohobych, in present-day Ukraine, where he taught drawing in local schools. In 1941 Drohobych fell under Nazi occupation…
The Orangerie was built by Karl I, Landgrave of Hesse-Kassel, at the beginning of the eighteenth century. It served him as both a summer house and a winter habitat for potted trees such as citrus and palms…
In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…
To approach a definition: the score is a notational device that connects the material of a discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…
by Angela Brouskou – Theatro Domatiou and MiniMaximum ImproVision
Epitafios II is a collaboration between professional actors, musicians, students, performers, and the audience. A blanket of human bodies and objects covers the floor of the former headquarters of the…
